In the Studio
By Visual Art Issue 121
Devon DeJardin is a self-taught multimedia artist from Portland, Oregon, now based in Los Angeles. His paintings, drawings, and sculptures reference the body, forces of nature, and the application of philosophy to lived experience. His current work focuses on guardians-entities and forces that protect, guide, and challenge us to grow. Image: Could you talk…
Read MoreA Chamber in the Earth
By Visual Art Issue 121
Hear this essay read by the artist, along with field sounds from the forest site in Finland. —Striving to represent the world, we inevitably forfeit its direct presence. ——————————————— –David Abram I ARRIVE IN THE DARK SHIVER of January in Finland to begin work on my master’s degree in time and space arts. The…
Read MoreShofar-Jesu: India Ink on Paper
By Visual Art Issue 120
The paintings were inspired by an old Bible with engravings of scenes from the Old and New Testaments.
Read MoreImagining Water: Myth, Ritual, and a Changing Planet
By Visual Art Issue 120
NEAR THE REPUTED SITE of the Garden of Eden, an international team of environmental engineers, sewage treatment experts, and others are restoring historic marshlands in what has become a desert wasteland. They are creating a new Eden-not simply a public works project that will filter wastewater for the Ahwar region in southern Iraq, but also…
Read MoreParadigm Shift
By Visual Art Issue 120
I was confronted with the reality that a perfect church could not exist, that the leaders that I had grown up revering were flawed and very human.
Read MoreIn the Studio
By Visual Art Issue 120
The following year I reentered the studio to die. After fifteen days—unable to eat or sleep, my mind desperately trying to give solace to my broken life—I finally collapsed and gave up my life in radical surrender.
Read MoreTalismans of Time
By Visual Art Issue 119
I don’t pretend that I am capturing the truth about my subjects. I’m interested in creating something that feels timeless, that could have been made at any moment.
Read MoreBreasts: A Graphic Essay
By Visual Art Issue 119
In Sicily, they bake Mini di Virginia, little pink cakes with cherries for nipples, to honor her saint’s day.
Read MoreCurator’s Corner
By Visual Art Issue 119
As a curator, I have a nearly mystical sense of the power of objects to open a portal between history and today, lives long ended and lives currently unfolding.
Read MoreIn the Studio
By Visual Art Issue 119
It’s interesting to me how quick we are to trust a museum’s account of history simply because it’s presented in a way that feels organized and professional. We gloss over whatever seems unappealing or doesn’t fit into the story we are trying to tell. In many ways, I think fiction can tell a more honest story than what we consider to be the truth.
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