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Peter Howson and the Harrowing of Hell

By John A. Kohan Essay

AMID THE USUAL eclectic lower Manhattan gallery offerings of Swiss cow-decorated milk bottles, comic-book art of the Oism faith, and an installation of banners with bankrupt bank logos, the opening of the exhibition Redemption at Flowers in Chelsea last spring, featuring four huge oil paintings of Christ’s death and resurrection by Scottish artist Peter Howson, qualified as…

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Of Mind and Matter

By Steve Rabey Essay

Of Mind and Matter The Art of Terry Maker   GALLERY-GOERS who stumbled unaware into Reckoning, a 2012 exhibition at the Colorado Springs Fine Arts Center, could be forgiven for assuming that they were viewing a group show, not a retrospective of the work of Terry Maker. Nearly ten thousand feet of gallery space overflowed…

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Where Do You Stand? Anselm Kiefer’s Visual and Verbal Artifacts

By Daniel A. Siedell Essay

I think it is beautiful to be justified (historically). ———Anselm Kiefer Forgiveness is the only way to reverse the irreversible flow of history. ———Hannah Arendt   ANSELM KIEFER is one of the few artists working today who have transcended the vicissitudes and fashions of the contemporary art world. His stature among artists working after World…

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Insider/Outsider/In: The Art of Jennifer Anne Moses

By Caroline Langston Essay

  THE SUNDAY TRAVEL SECTION of the New York Times would seem, on the face of it, an unexpected venue for an artistic confession, but for the multifaceted Jennifer Anne Moses—fiction writer, spiritual memoirist, and painter, as well as a self-confessed “liberal East Coast Jew”—it was an acutely appropriate venue, effectively the still point of…

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Allegorical Strays: The Art and Craft of James Mellick

By Karen L. Mulder Essay

AS YOU ARE A SAVVY and a dedicated reader, here for your delectation is a quick quiz in the pestering style of the SAT analogy, but more akin in spirit to Walker Percy’s Lost in the Cosmos: The Last Self-Help Book. If critics from the pre-modern period considered craft to be the opposite of art (craft vs.…

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Things Come Alive: The Art of Olga Lah

By William Dyrness Essay

OLGA LAH DID NOT start out wanting to wrap buildings in electrician’s tape, fill huge spaces with billows of crumpled paper, or line galleries with great swathes of plastic bottle caps. She did not set out to be an artist at all—let alone one catching the attention of the art world in Los Angeles and even…

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