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In the Studio

By Eric Aho Visual Art

I cut a hole in the ice each winter, an extraordinary black trapezoid—“avanto” in Finnish—intended for the bracing plunge to follow the extreme heat of the Finnish sauna. The shape carries so much personal meaning.

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From the Faraway Nearby

By Morgan Meis Essay

One way to describe what O’Keeffe did with landscapes is to say that she was trying to figure out a way to look out at the horizon and to see things out there as deeply as she was able to see things like flowers and plants up close.

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In the Studio

By Armen Agop Interview

I used to ask myself why humans go through sacrifices and insist on creating things that no one asked for or cares about. But not anymore. I realize that, in my case at least, it is simply an instinctive drive to do, and that’s my way of being.

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Being Shown the Way

By Sarah Ruden Book Review

Bible Road: Signs of Faith in the American Landscape by Sam Fentress (David and Charles, 2007) I GREW UP outside Portage, Ohio, on an acre with corn fields on three sides and the county highway on the fourth. On our disused barn was a painted advertisement: CHEW MAIL POUCH TOBACCO TREAT YOURSELF TO THE BEST. The enduring letters…

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By Eric Pankey Poetry

So little is legible: glacial till, the moonlight on an iced-over ditch, The moon itself—an opal pruning hook. He could go on like this: list after list, A compendium apropos of nothing more than to place the speaker here, Pointing north, bewitched like a compass needle. Hard to make much that resembles poetry out of…

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