In the Studio
By Visual Art Issue 106
As a child, I would write letters to god, then fold and throw them behind the wardrobe in my room, as if it were some sort of divine void.
Read MoreLife After Thirty | Death, Change, and Time: Barry Krammes
By Interview Issue 100
Life has been challenging, and occasionally blatantly difficult. The mysteries and complexities of this earthly sojourn continually rattle my brain. These days I am much more comfortable with my weaknesses than with my strengths.
Read MoreLife After Thirty | Collaboration and Community: Letitia Huckaby
By Interview Issue 100
But the Deep South always drew me… I became obsessed with cotton, photographing it almost like it was a rose.
Read MoreStill Points: The Quiet Spaces of Wolfgang Laib
By Essay Issue 53
Let us start from one admitted fact: if prayer, meditation, and contemplation were once taken for granted as central realities in human life everywhere, they are so no longer. They are regarded, even by believers, as somehow marginal and secondary: what counts is getting things done. ————-—Thomas Merton, from Contemplation in a World of Action…
Read MoreOliver Barratt: Poetry of the Void
By Essay Issue 57
THE PHERICHE CLINIC clings to a windswept, rocky plateau two day’s hike below Everest Base Camp. Dwarfed by the majestic Himalayan peaks that surround it, this collection of low stone buildings is the highest medical clinic in the world, offering climbers and those who live there the care and expert treatment that are essential in…
Read MoreThe Thread that Weaves Life Together: Crossing Boundaries with the Charis Exhibition
By Essay Issue 65
THE YEAR 1992 marked the release of a film that challenged all conventional notions of filmmaking—and that nevertheless received nearly universal critical acclaim, much to the surprise of its makers. That film was Baraka. Filmed at 152 locations in twenty-four countries on six continents with no narrative or dialogue, Baraka was described as “a guided…
Read MoreAdrian Wiszniewski: A New Heaven and a New Earth
By Essay Issue 72
ON MAY 29, 1996, Glasgow City Council opened its new Gallery of Modern Art in the Royal Exchange Building. At a cost of almost 10 million pounds, the renovation transformed what had once been Glasgow’s great temple of commerce into a shrine to modern art. The Exchange Building stands on Queen Street, long ago a…
Read MoreFrom the Lines of Life: Guy Chase and the Art of the (Extra)Ordinary
By Essay Issue 72
Although preparation for this article began in 2008, by the time it was completed Guy Chase had begun to lose his fight with cancer. He approved a near-final draft a few months before slipping away in his sleep on August 18, 2011, at the age of fifty-six. I am for an art that grows…
Read MoreOf Mind and Matter
By Essay Issue 75
Of Mind and Matter The Art of Terry Maker GALLERY-GOERS who stumbled unaware into Reckoning, a 2012 exhibition at the Colorado Springs Fine Arts Center, could be forgiven for assuming that they were viewing a group show, not a retrospective of the work of Terry Maker. Nearly ten thousand feet of gallery space overflowed…
Read MoreFrom Specimen to Spectacle: The Unruly Art of Dayton Castleman
By Essay Issue 80
The spectator experiences the phenomenon of transmutation; through the change from inert matter into a work of art, an actual transubstantiation takes place…. —Marcel Duchamp BACK WHEN MY KIDS were very young and I rarely had a moment to myself, I once managed…
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