More on: nature

The bay’s mouth swells, sucking the gale and spit into stone lungs, laying the ground for what the island tells, hoarsely: before the boats arrive, after the shops shut. Beach Sand shuffles amiably, like familiar words stroking and nosing one another, melismatic chant that slips and pours so quickly that you never see the razor…

This winter is a bear in my garden: it sharpens its claws against the oak and snuffs through topsoil to pry loose the hidden bulb. I traced its path in window frost, how the soft pad of its heel pressed me like a child inside the womb until the swift puncture of claw. I breathed…

What offers a skeletal peep. Feather-smear, mostly gullet—agape for the secondhand upchuck grub, bolus crammed iridescent with carapace and wing. A holiness, this helplessness, the mother’s tireless, kenotic reconnaissance ending every time with her head bent to her nest of tidbit beggars, X-ray translucent, the tinder of their bones radiant beneath. All hollow. The aerate…

In my mouth the name of God an overripe pear: a grain, a grit on the tongue. A grail, all vowel-shaped gaps, like lipping the rim of an empty cup, that low-frequency opening undoing, unhinging the jaw. God’s name as eyetooth, meat-intended, a visible skeletal hint. God as salve for chalk. For the bent heart,…

Artist Natalie Settles, featured in Image issue 85, has long been fascinated by the biological sciences. She makes drawings and installation art that mix highly detailed botanical and zoological imagery with highly stylized forms, like Victorian decorative motifs. Her installation works are interactive; they use a gallery space to create an ecosystem in which the viewer…

Darwin’s Century: Evolution and the Men Who Discovered It by Loren Eiseley (Doubleday, 1958) Science and Faith: A New Introduction by John F. Haught (Paulist, 2013) Ask the Beasts: Darwin and the God of Love by Elizabeth A. Johnson (Bloomsbury, 2014) Living with Darwin: Evolution, Design, and the Future of Faith by Philip Kitcher (Oxford, 2007)  …

Reading from Two Books Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…

Reading from Two Books: Nature, Scripture, and Evolution   In the Middle Ages, philosophers and theologians described nature as a book, a coherent work in which we could glimpse the mind of God. Like scripture, the book of nature bore the divine imprint—the Imago Dei—and the two books were seen as complementary. In the centuries…