More on: performance art

The Performance MOHAMMED ALI, a.k.a. Aerosol Arabic, emerges from the darkness onto center stage for his 2014 TED talk at the Vatican (available for streaming at aerosolarabic.com). A burly man, he moves gracefully. He apologizes for the way he’s dressed—not in the snappy outfit of a celebrity lecturer, but in jeans, sneakers, open shirt, and…

Migrant Farm Workers, a Medieval Mystery Play, and the Future of Religious Art in America   ON A CLEAR, COLD DECEMBER evening a few weeks before last Christmas I sat in a 215-year-old adobe church and listened to the devil preach the gospel. The devil, or Luzbel as he was named in the play I…

The art of Steve Prince is explored in an essay by Beth McCoy in Image issue 78. Prince, a New Orleans native, works primarily in printmaking and drawing. His richly textured images are steeped in religious and visual culture; critic D. Eric Bookhardt characterizes their metaphorical power as “an ability to elucidate inexplicable worlds within…

In issue 83, Wayne Roosa writes about a surprising conversation with his art history students about the parallels between Old Testament prophets and contemporary performance artists—a conversation that led to a new way of looking at performance work. We asked him about this art genre, one that many viewers find hard to connect with.    Image:…

I RECALL A SUNDAY MORNING when the church lectionary readings included a passage from the prophet Isaiah. The lay reader that morning was a thoughtful, older man dressed in a tasteful gray suit. Standing at the lectern, he opened the Bible and read: At that time Yahweh had spoken through Isaiah son of Amoz. He…