More on: photography

The heaviness of the questions I was trying to answer demanded a slower pace than photography alone could give me. I began sewing plant material from the farm into prints, and when I put the results in my scanner bed, I discovered that they became illuminated in unique ways, transformed into cosmic-looking abstractions.

We get the crap… If you get white people over here, then they’ll start making the produce look worthy… It shouldn’t be like that. This is our city… We care just as much about our kids, just as much as the white people out there in Williamsville, Amherst, and other surrounding areas… Why can’t our kids see the same things?

I found an unexpected resonance in D’Angelo’s low-fi, melancholy mood, articulated in the album Voodoo, which has mystified me for years. 

As a queer woman raised Catholic, I have had a complex relationship to the church—making these photographs was part confession, part reconciliation.

I’m still learning to embrace the boundlessness of art and the trajectory that this implies.

Ritual Images The Autobiographs of Ira Lippke   IN 1918, a German priest named Martin Gusinde traveled to the islands of Tierra del Fuego off the southern tip of South America. Commissioned by Chile’s Museum of Ethnology and Anthropology to study the region’s indigenous tribes, Gusinde made four expeditions over a period of six years to…