More on: Photo Essay

I think the stations are for everyone, no matter your religious affiliation, because they are a meditation on being human, so I wanted people to see them without the hurdle of having to enter a religious space.

I found an unexpected resonance in D’Angelo’s low-fi, melancholy mood, articulated in the album Voodoo, which has mystified me for years. 

As a queer woman raised Catholic, I have had a complex relationship to the church—making these photographs was part confession, part reconciliation.