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Good Letters

Poetry Friday: “Middle Distance, Morning”

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I read this poem as a meditation on how one can relate to the outside world without needing to possess it. A poem on how to let go: to connect beyond oneself without clutching. Here, the outside world is that of nature, which the poem’s speaker recounts her relation to. Partly it’s a relation of…

A Poet Walks Into a Business Networking Event

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The poet gives a young woman $15 for admission, squeezes her drink ticket like a talisman. Voices roar like surf. The poet straightens her arms so she can shimmy through the crowd. She must reach the color-coded name tags. There’s a palette of categories: Tech, Finance, Start-up, Health. She must decide between Arts, yellow, or…

My Prayer Is Not Prayer

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My prayer is not prayer, not exactly. It includes words. It may even begin with words: “Modeh ani l’fanecha / grateful am I in your presence; baruch atah Adonai, Eloheinu, Melech Haolam, hanotein laya-eif ko-ach / Praise to You, Adonai our God, Sovereign of the universe, who gives strength to the weary; ahavah rabbah ahavtanu…

Thin Places, Part Two

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Continued from yesterday. Read Part One here.      In the rocky cave-like interior at Newgrange, the air felt damp in my nostrils. It smelled of dirt. The passage was narrow, but it opened into a slightly wider room where a number of us could gather. “We don’t know what they did here,” the guide…

Thin Places, Part One

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  A few summers ago, my husband Tom and I were in Dublin for a week, and one day, we took a tour bus to two ancient holy places—thin places, the Celts would have called them: spots where heaven and earth are very close to one another, where the ordinary distance between the two collapses.…

Poetry Friday: “The Moss Method”

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I’ve long loved Pattiann Rogers’ poems: how they caress nature’s most minute details with acutely attentive language. Here, in “The Moss Method,” she focuses on one of nature’s most lowly living things: moss. The poem is a paean to moss’s inconspicuous virtues: its literal lowliness, its quiet power of softening sharp edges, its luscious mats…

Evil’s Share

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It has been said that one of the most effective means by which evil can have its way is to convince us that we are too abominable to love. It’s not a bad tactic. When our faults are catalogued back to us, the inventory is hair-raising and earth-shattering. This is one of the methods attributed…

The Lone Ranger’s Easter Narrative

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His back to us and to the camera, the hero walks silently away. His work in this particular community is done. He has restored the community to its better self. This is the closing image of the classic 1947 film The Bishop’s Wife, which I watched recently. Cary Grant as the angel Dudley—sent to guide…

Canada: Detroit’s Southerly Neighbor

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Detroit is the only major city in America, people will tell you (even if you haven’t asked), where you drive south to get to Canada. The southerly orientation of our otherwise-northern neighbor is due to an odd strip of Canada that squeezes in between Lake Huron and Lake Erie. That strip extends all the way…

Love in the Time of Bacteria

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Last week, I walked up Dale Street from the train station. It’s a perilous walk owing to the lack of shoulder and the speed at which people drive, a recklessness passed off to people living in poor neighborhoods. Shattered green glass, no trees to bar the bright spring sun, bits of fluttering paper garbage—anonymous love…

Good Letters

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For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.

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