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Posts Tagged ‘craft’

The Mysteries of Revision

By Bryan BlissJuly 5, 2017

When a former MFA professor asked me to come to her class and speak on revision, I immediately said yes. Not only was she a writer and an academic that I respected, there had been an ongoing, semi-inside, joke between me and some of my MFA cohort members about my desire to be acknowledged by…

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Poetry Friday: “Nothing More”

By Todd DavisOctober 14, 2016

Whenever I first meet a long skinny poem, I ask myself: Why has the poet chosen these very brief lines for the poem’s shape? In Todd Davis’s “Nothing More,” the effect of these short lines is a sort of staccato: short phrases punched out in succession and often snapped by startling line breaks. Yet what…

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A Conversation with Claire Holley

By Mary Kenagy MitchellSeptember 29, 2016

This post originally appeared as a web-exclusive interview accompanying Image journal issue 58. Mary Kenagy Mitchell for Image: You’ve written in our new issue about balancing songwriting with being a mother. What does your son think of your music? Does he come hear you play?  Claire Holley: Well, his preferences seem to change a lot. When…

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My Own Commencement, Part 1: The Birth of an MFA

By Gregory WolfeSeptember 1, 2016

This post is excerpted from Gregory Wolfe’s final commencement address as director of the Seattle Pacific University Master of Fine Arts in Creative Writing last month. Wolfe, who founded the program, steps down as director today. Read his full announcement here. Once upon a time—well, seventeen years ago, to be exact—I was contacted by Mark…

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Thou Shalt Not Kill Time: The Ethics of Storytelling

By Daniel TaylorSeptember 14, 2015

Is The Great Gatsby a crime novel? (There’s a murder.) Crime and Punishment? (It’s in the title.) Moby Dick? (Oh the whales!) People like to make distinctions between mystery, crime, and detective fiction. But what’s the essence of a good mystery? What are the boundaries of what constitutes a crime? How narrowly professional or intentional does a character have to be to be considered a detective? And how do any of the novels in this loose genre relate to literary fiction?

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Downturned Face, Upturned Eyes

By Tony WoodliefAugust 19, 2015

There is no writing more precious and self-indulgent than the essay about the difficulty of writing, so I will not write an essay about that. The truth is that writing is easy if you have a little talent. A little talent affords some writers a fine living, in fact. The only real pain comes not from the act of writing, but from a voice hovering in your ear, which may be your conscience or your mother but most likely is the devil, whispering: They’re not going to like it.

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