How to pray for someone bent over by grief when nature is stretching upward in the June sunshine? This is the question posed by Robert Cording’s “June Prayer.” We learn in the course of the poem that the young son of a woman “I love” has died months ago, and that she asks the poet…

I love this poem for its exuberance. The fat bee, “big as a blackberry,” bumping heavily against the pane. The impossibility of an acorn’s power. The very idea of “infant waterfalls.” Each vivid, particular thing of beauty from the natural world that Friman presents to us bears itself simply and humbly—yet appears remarkable when dressed…

Memories can make good material for poetry. In “The Spirit of Promise,” Daniel Donaghy is remembering his Catholic childhood in the particular church that he’s now re-visiting. At first the poet’s memories are negative: “my grade-school nuns shaking // their heads at me”; the priest “putting down his Chesterfield / to tell me how many…

The emotional landscape of motherhood can often be hard to describe and is underrepresented in genres such as poetry. As a poet and mother of a two-year old with a new baby on the way, I appreciated “Rain” by Tara Bray and found it very instructive on several levels. In this candid poem, a “family…

The prose poem is a challenging genre. After all, what distinguishes “plain prose” from “prose poetry”? Here, in Judith Ortiz Cofer’s “The Aging Maria,” I’d say it’s, first, the liberty with sentence structure. Take the opening sentence: in a prose work we’d say it’s too long, stretches in too many directions. But here, each phrase…

I was first drawn to this poem by Carol Ann Davis because of its long and curious title. Who is Jenya? How does imagination correspond to a dog’s bowl? The peculiarity of these details led me into a surprising poem of weighty questions and deep meditation. Davis asks, “My emptiness / loves yours. Can you…

We don’t think enough—or at least I don’t—about how objects can contain memory. But Murray Bodo’s poem “Sewing Box” shows us how: in this box in which memory is literally contained. Each of the four stanzas takes us deeper into the box. At first it’s just “the busy / sewing box I’d organize on visits…

This poem draws me in with its opening sounds: “Midnight, mid-May.” With those urgent, humming Ms, we are situated in a lush environment thick with potential, growth, and energy. Midnight is a hidden time, an hour when reader and speaker should be asleep. Instead, in this poem we stand alert to a late spring night…

The spring equinox was on Monday. I am slowly seeing a flush of new life around me, like plum tree blossoms and nettles, while winter’s dank decay is still lamentably present. Christian Wiman’s haunting and tender poem “Love’s Last” from his collection Once in the West (originally published in Image issue 81) echoes loudly for…

Here is a poem that takes aim at our clichés about aging and death. It does so with subtle cleverness, by putting “in tandem” an old spruce tree and the nursing home resident to whom the poem is addressed. Though there’s no stanza break, the poem divides into two parts, each of nine lines. The…