A Conversation with Joe Henry
By Interview Issue 71
Singer, songwriter, and Grammy-winning producer Joe Henry has been making records since 1986. He has released a dozen albums of his own songs, most recently Scar (2001), Tiny Voices (2005), Civilians (2007), Blood from Stars (2009), and Reverie (2011). Allmusic.com’s Thom Jurek writes that as a songwriter, Henry occupies “a space that only he and…
Read MoreA Conversation with David Adams Richards
By Interview Issue 70
Born in 1950 in Newcastle, New Brunswick, David Adams Richards is one of Canada’s most prolific and powerful writers. His first novel The Coming of Winter was published in 1974, followed by three more novels from Oberon, a small press in Ottawa. In 1988 his Nights below Station Street (McClelland and Stewart) won the prestigious…
Read MoreWeb Exclusive: A Reader Interview with Betsy Sholl
By Interview Issue 73
Betsy Sholl’s poem “The Harrowing” is published in Image issue 73. This web-exclusive interview with Sholl features questions from readers of Image. How do you connect with secular readers? Part of me wonders if, when it comes to art, these distinctions between secular and sacred really apply. A poet has to write from a point…
Read MoreA Conversation with Dana Gioia
By Interview Issue 73
Dana Gioia—poet, critic, and arts leader—has sometimes said, “I’m the only person who ever went to Stanford Business School to become a poet.” A native Californian of Italian and Mexican descent, he studied at Stanford (BA, MBA) and Harvard universities (MA), worked as VP of marketing for General Foods, and has published four poetry collections…
Read MoreWeb Exclusive: A Conversation with Patton Dodd
By Interview Issue 76
Image: In your essay in the new issue of Image, “Power in the Blood: Hollywood and the Myth of Religious Violence,” you write about the strange relationship Hollywood has to Christianity—mainstream Hollywood movies tend to use violent Christians, often broadly stereotypical ones, as villains. They also tend to tell stories where further violence is used to…
Read MoreWeb Exclusive: A Reader Interview with John A. Kohan
By Interview Issue 74
John Kohan’s calling to sacred art began early: “Sacred art has been a lifelong preoccupation, judging from the earliest sketch of mine my mother saved. It is a pencil illustration of Jesus’ parable of “The Sower and the Seed”…drawn when I was a child of six or so.” Since age six, John has worked as…
Read MoreA Conversation with Luci Shaw
By Interview Issue 75
Luci Shaw is attentive to balance, cultivating both an active engagement with the arts in culture and the solitude necessary to listen and catch at language. Her twelve acclaimed collections of poetry include What the Light Was Like, Harvesting Fog, and the forthcoming Slow Pleasures. Her nonfiction includes Breath for the Bones: Art, Imagination, and…
Read MoreA Conversation with Marilynne Robinson
By Interview Issue 74
Marilynne Robinson—unapologetic Calvinist, committed humanist, brilliant writer—is undoubtedly one of the most important contemporary American authors. Born and raised in northern Idaho, she was educated at Pembroke College (now part of Brown University), where she graduated Phi Beta Kappa, and at the University of Washington, where she received her MA and PhD in literature. She…
Read MoreA Conversation with Christian Wiman
By Interview Issue 76
“Courage, I think, inheres in the ability to realize that there is nothing singular in your own sufferings, that if they have value it is in the bedrock truth they enable you to fitfully glimpse and hopefully convey. This is as true for the truck driver or lawyer as it is for the poet.”
Read MoreWeb Exclusive: A Conversation with Steve Prince
By Interview Issue 78
The art of Steve Prince is explored in an essay by Beth McCoy in Image issue 78. Prince, a New Orleans native, works primarily in printmaking and drawing. His richly textured images are steeped in religious and visual culture; critic D. Eric Bookhardt characterizes their metaphorical power as “an ability to elucidate inexplicable worlds within…
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