Original Light: Post-Cancer Portraits
By Visual Art Issue 107
Cancer has allowed me to view myself as a canvas; my body has been primed, stretched, cut, and painted. My blood is paint, the needle is the brush, and my body is the canvas.
Read MoreCurator’s Corner: National Museum of African American History and Culture
By Visual Art Issue 106
This isn’t about objects, really. It’s about narratives of humanity, where objects are merely tropes for human experiences.
Read MoreAn Indelible Season: NYC, 2020
By Photo Essay Issue 106
Photographing helped me see the small light in this epic darkness, to find a conscientious perspective.
Read MoreSeeing through Idols: Art and Imagination at the Border
By Visual Art Issue 106
Long before authorities are prepared to tear down walls, artists help us see through them.
Read MoreIn the Studio
By Visual Art Issue 106
As a child, I would write letters to god, then fold and throw them behind the wardrobe in my room, as if it were some sort of divine void.
Read MoreCurator’s Corner: Museum of Contemporary Religious Art, St. Louis
By Visual Art Issue 105
From the beginning, I wanted to challenge people’s ideas about what religious art could be, to stretch categories and ways of thinking, to show that the artists of our time continue to engage in meaningful dialogue with the great faith traditions—and also that this art is in dialogue with the present moment. It’s unafraid to ask, “Who is my neighbor?”
Read MoreLetters, Music, Flesh: Calligraphy as Sacred Art Among Christians and Jews
By Visual Art Issue 105
For the calligrapher, words are always flesh.
Read MoreIn The Studio: Jordan Eagles
By Visual Art Issue 105
People also often enter sacred spaces at a slower, quieter pace, with a sense of anticipatory contemplation. This can be ideal for reflecting on art and ideas.
Read MoreIcons of Soul
By Photo Essay Issue 105
I found an unexpected resonance in D’Angelo’s low-fi, melancholy mood, articulated in the album Voodoo, which has mystified me for years.
Read MoreCurator’s Corner: Bridge Projects, Los Angeles
By Visual Art Issue 104
It seems to me that in displaying the profound aesthetic, cultural, and spiritual beauty of a common bequest like trees, we are moved to value them more and to experience an awe that humbles and amazes—something that makes us more respectful participants in the natural world.
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