More on: history

We’re talking here about two projects: rereading art history to recover a wider context for religious meaning, and rereading it to recover a wider sense of the art historical project. You are aiming at the first, which is the larger and more important one, but our examples have been mainly the second, which would be a tonic to the discipline.

Like you, I’m on a journey, though where I’m going / changes with each moment.

At present, we are standing inside of the pandemic, and so its bitterness defines first and foremost how we feel about it.

The first moment
is this moment,
this one right now.

I remember when those hands were furnaces burning in the hearts of celestial bodies. I watched the very dust fall to earth and become you.

Old Saybrook, Connecticut, April 1827 Wealthy Ann, Ruhama, Othelia, Harriet, Hipsey, and I took the ferry to the big camp meeting in Old Saybrook, where ten famous preachers took turns exhorting us to find Jesus and to serve him by serving each other. The crowd swarmed like ants taking breadcrumbs home. Wealthy Ann said smelling…

A. The Moroccan Quarter, Jerusalem¹   Will that museum, the Museum of the Wailing Wall, ever welcome a swallow, or shake the hand of the Mediterranean, _________________as Cadmus and Ulysses did? Will it ever bring a woman back to life, the woman Europe was named after? Peace unto you, human steps, _________________you have become an…

Why Believe in God? Over the past few years, the Image staff contemplated assembling a symposium based on this simple problem. But we hesitated. Should we pose such a disarmingly straightforward question to artists and writers, who tend to shun the explicit and the rational? Or were we hesitating because the question itself made us…

The summer issue of Image includes four poems by Nicholas Samaras, one of which was influenced by Michael Sitaras’ conceptual art project, Sacred Air. All poems are part of his work on a book of poems in response to the biblical Psalms. We asked Nicholas how these poems began.   Image: You’ve been working on…

For Armand and Ros de Mestral 1 Like many great cities Montreal is on a river. But the Saint Lawrence is not what divides it. We stay in the heights. I don’t have to leave the garret atop this three-story house on Thornhill in order to transcend. The view contains immensity, sun easy on the…