More on: visual art

I have often said that contemporaneity—much like modernity and creativity—does not belong to one race, place, or economy.

The soundtrack alternates between David speaking about his mother’s life and his memories of her, and a voiceover narration in which Flora recalls her life in Paris. However, a viewer can only watch one side of the screen at a time—either Flora’s or David’s.

I love how it changes color with different kinds of light—it’s a different image in the morning than in the evening. Or the color shifts as the viewer moves position. The painting has a little life of its own.

Long before authorities are prepared to tear down walls, artists help us see through them. 

As a queer woman raised Catholic, I have had a complex relationship to the church—making these photographs was part confession, part reconciliation.

We want to transform the museum into a place of reflection and contemplation.

We all need a rosary, whether we’re Catholic or not.