Crossed
By Essay Issue 106
I was fine with the ceramic statues of Mary, flaming heart jumping out of her chest. I liked the bright blue robe, gold stars, and shell-like halo of the Virgin of Guadalupe. But the big wooden crucifixes, that crown of thorns digging into Jesus’s brown locks, skinny white arms yanked above so that he’s pitched forward—they spook me the way Dracula spooks me.
Read MoreWakening
By Poetry Issue 106
Prayer is silence, / spirit-bones and soul-blood fluctuant as breath.
Read MoreA Devotional Temperament: A Conversation with Garth Greenwell
By Interview Issue 106
One of the extraordinary accomplishments of the Confessions is to find a syntax that doesn’t deny impasse or dilemma, but that also doesn’t allow impasse or dilemma to become stagnant.
Read MoreA Conversation with Randall Kenan
By Interview Issue 48
I wanted to break down part of the Gospel story. As I see it, it’s not just about the son sacrificing himself and all those dynamics that inform the biography. I wanted to look at the messages in the Gospels that haunt our lives. What would we do in this world with someone who could perform miracles—verifiable, right-in-front-of-your-eyes miracles? It would just blow the top off the joint. But at the same time, I’m sure we’d find some way to commodify it.
Read MorePops
By Poetry Issue 106
I remember you in your final atonement, how calm you were.
Though you couldn’t tell me, you understood the names hidden in the dusk.
The Mule
By Issue 106
Such is the mule, muscled with self-knowledge,
wiser than Aristotle.
Seeing through Idols: Art and Imagination at the Border
By Visual Art Issue 106
Long before authorities are prepared to tear down walls, artists help us see through them.
Read MoreThe Face of a Man
By Poetry Issue 106
Benjamín Naka-Hasebe Kingsley on an east Pennsylvania rite of passage.
Read MoreWhen your father is barely literate enough to read from the Bible aloud, but you so love that there is even this one moment he will share with you
By Poetry Issue 106
The voice of your brother’s blood
is crying to me from the ground.
In the Studio
By Visual Art Issue 106
As a child, I would write letters to god, then fold and throw them behind the wardrobe in my room, as if it were some sort of divine void.
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