This post is a web-exclusive feature accompanying Image issue 93. In the conversation around faith and film, Ron Austin is an elder statesman. He has worked a lifetime in the entertainment industry, and his essays and books, including In a New Light: Spirituality and Media Arts, have influenced generations of filmmakers (much of his writing is…

This post, continued from yesterday, appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. Kieślowski’s Blue is a master class in film form—everything there is to learn about editing and sound design can be found in its first ten minutes—but what lingers longest in the memory is…

It’s been nearly a month since I finally saw Scorsese’s Silence, and what I remember most is the cry of cicadas and how crucial sound is to the film’s translation of Shūsaku Endō’s novel. The cicadas’ song is loud, and in Silence, they sound a sorrowful note. We hear the cicadas and the crickets before…

Though the year of 2016 was a weighty year for politics and world events, it was also a great year for movies. The Arts and Faith Ecumenical Jury of 2016 has compiled a list of ten excellent films we found to be especially noteworthy. This year’s thirteen jury members include professors and pastors, professional film…

Though the year of 2016 was a weighty year for politics and world events, it was also a great year for movies. The Arts and Faith Ecumenical Jury of 2016 has compiled a list of ten excellent films we found to be especially noteworthy. This year’s thirteen jury members include professors and pastors, professional film…

In many respects the new film Florence Foster Jenkins takes a paint by numbers approach to its genre—the classic biopic. It features a meaty role for a star (Meryl Streep), designed to play well to Oscar voters in the next awards cycle. It gets a lot of mileage—comic and dramatic—out of contemporary differences with its…

In a well-written and well-acted scene from Kevin Reynolds and Paul Aiello’s recent film, Risen, the Roman tribune, Clavius (played by Joseph Fiennes), questions one of the guards left to watch the tomb of the crucified Jesus. The guard, drunk in his cups, has been pardoned by the prefect, Pontius Pilate. Clavius knows that the…

In Mel Gibson’s Apocalypto, a man races against predators and time to rescue his family from a deep pit, which rains threaten to fill. Breathless and bloody, hounded by vicious enemies, he doesn’t know if he’ll make it in time, or if he’ll be able to do anything but fall down and die when he…

During a lecture last March, I spoke fondly of a friend whom I had recently lost to cancer. Halfway through the anecdote, I suddenly recognized his wife, the mother of his two young children, in the audience, listening in rapt attention. She was far from home, a surprise visitor. I almost choked. And I suddenly…

Early in director John Curran’s film Stone, parole officer Jack Mabry (Robert DeNiro) sits behind his desk and listens to longtime prisoner Gerald “Stone” Creeson (Edward Norton) plead for parole. The corn-rowed Stone, doing time for a crime that caused his grandparents’ death, dares to tell Jack, “I’m clean as you.” “Maybe, maybe not,” growls…