Soul on Deck
By Visual Art Issue 117
The light of the soul throws sparks, can send up flares, builds signal fires, causes proper matters to catch fire.
Read MoreFade to Black: Recent Work by Duncan Simcoe
By Visual Art Issue 115
Simcoe instinctively recognized tar paper’s potential as the medium he was seeking. It had a texture receptive to crayon and brush; its lusterless, inky finish conveyed an aura of mystery; and you could simply tack it onto a gallery wall for display.
Read MoreIn the Studio
By Visual Art Issue 115
Graphite’s lack of material complexity also feels honest. Since it’s a simple form of carbon, any mystery in a graphite work is created through process, and that feels like starting from a place of truth.
Read MoreBodies of Light: A Study in Windows
By Visual Art Issue 115
I see my paintings and drawings as invitations to encounter a lived environment slowly, fully, and reflectively.
Read MoreNonliteral Illustration
By Visual Art Issue 114
Robert Katz assembles found materials into tableaux inspired by stories from the Torah.
Read MoreCurator’s Corner
By Visual Art Issue 114
“Minority faiths in Britain have always started their architectural journey by adapting existing buildings and creating their religious spaces in improvised and ad hoc ways.
Read MoreBeyond the Veil: Art and the Spirit World
By Visual Art Issue 114
Spirituality often emerges from religious sources that don’t always fit within curatorial frameworks, and these traditions have their own distinct influences on the meaning and practice of artmaking today.
Read MoreIn the Studio
By Visual Art Issue 114
After the George Floyd murder and protests, painter Askia Bilal began a series called Non-Portraits, exploring his experience of Blackness.
Read MoreA Philosopher for Artists: Adrienne Dengerink Chaplin and Theodore L. Prescott on Susanne Langer
By Visual Art Issue 113
“Philosophy of art should start in the studio and not in the museum or the concert hall or library” (Susanne Langer)
Read MoreThe Missing Mother
By Visual Art Issue 113
I maintain that we need more of her: the vessel, the container, the harbor.
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