More on: art history

At present, we are standing inside of the pandemic, and so its bitterness defines first and foremost how we feel about it.

I’m tired of beauty. Or rather, I’m tired of hearing the word “beauty” overused and misapplied.

Do you remember the seraphim in that Romanesque fresco we were looking at in the room of the Master of Pedret? They looked straight at us, hands outstretched, as if they refused to die under the effects of depigmentation that was erasing them from the kingdom of light. They’re symbols of love—Hosanna, Hosanna, Hosanna—peeling and…

HAVING grown up in what I would call a rather Waspy milieu in New York’s Upper East Side, my youthful aesthetic sensibility was, to some extent, predetermined. My mother took me to see the classics of art history at the Metropolitan, but she also took me to the Museum of Modern Art and the Guggenheim. I was surrounded by…

Piero della Francesca’s Madonna and Child with Two Angels For half an hour we had the painting mostly to ourselves, and the longer we stood there taking it in together, the more the people drifting around us seemed to disappear. We spoke quietly when we spoke at all, as though trying not to discomfort the…

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…

I RECALL A SUNDAY MORNING when the church lectionary readings included a passage from the prophet Isaiah. The lay reader that morning was a thoughtful, older man dressed in a tasteful gray suit. Standing at the lectern, he opened the Bible and read: At that time Yahweh had spoken through Isaiah son of Amoz. He…

Roberta Green Ahmanson is a writer and philanthropist whose public activities are focused on deepening awareness and understanding of the role of religion in public life, the importance of knowing history to understand the present, and the vital role the arts play in shaping human experience. Since 1986, she has worked with her husband, Howard,…