In the Studio
By Visual Art Issue 107
I love how it changes color with different kinds of light—it’s a different image in the morning than in the evening. Or the color shifts as the viewer moves position. The painting has a little life of its own.
Read MoreTaboret
By Essay Issue 105
When I hear my parents’ voices lilt with Midwestern shame, our pernicious lineage, I want to set the bench on fire or bury an axe head into it.
Read MoreThe Art Student
By Short Story Issue 66
MRS. WALLER WAS seventy-one years old and she kept her invalid husband in cigarettes and beer by posing for the figure-drawing class at the academy. Her first name was Inez, but neither the instructor nor the students ever called her anything but Mrs. Waller. Darrell Horn, honorably discharged from Uncle Sam’s navy, had no idea…
Read MoreA Bookwright’s Tale
By Essay Issue 71
MY BROTHER SAID that I was a lazy dreamer when I was a kid. In a letter he wrote to me shortly before he died he said that all I did was sit around drawing pictures and reading books while he cut the grass, cleaned out the gutters, and painted the trim on the house. Well,…
Read MoreFar as the Curse is Found: The Art of Scott Kolbo
By Essay Issue 80
The prophet is a realist of distances, and it is this kind of realism that you find in the best modern instances of the grotesque. —Flannery O’Connor, Mystery and Manners SOME MONTHS AGO, while traveling, I walked full-force into the sloping ceiling of the unfamiliar guest room where I was staying. The blow to…
Read MoreHanging Gardens: The Drawings of Gala Bent
By Essay Issue 82
GALA BENT WAS ONCE a landscape painter who lived in Indiana, born and raised in the Midwest. Her paintings, acrylic on paper, featured dark, heavy, and flat horizontal spaces. But she used to dream about mountains. That is, until she found herself surrounded by them. When she and her husband, fellow artist Zack Bent, moved…
Read MoreMoravia
By Short Story Issue 82
1. AUNT MORAVIA SAID that she had swallowed a glass piano. She was my father’s aunt, a stitch of an old woman. She’d come to live with us when I was seven and my brother Robbie fifteen. Mother had been bedfast for a month before the birth of my sister. In the meantime Aunt Moravia saw to…
Read MoreThe Visual Jewishness of Mark Podwal
By Visual Art Issue 84
“For me, drawing is a form of prayer. Drawing and painting are how I express my Jewishness. I never took an art lesson, and I’m totally self-taught. I believe I’ve been blessed. And somehow a path that was not leading to my becoming an artist led me to where I was not planning on going.”
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