Ecstatic Dislocation: The Art of Sedrick Huckaby
By Essay Issue 90
IN 2016, SAINT PATRICK’S DAY falls on a Thursday, bringing with it an early weekend. In the aftermath of apocalyptic north-central Texas thunderstorms, a sultry heat settles on the quiet residential street in Fort Worth where artist Sedrick Huckaby is hard at work preparing for his next exhibition. Huckaby is a painter, sculptor, and printmaker…
Read MoreOnly What You Do For Christ Will Last: A Conversation with Tim Rollins
By Interview Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreA Painter’s Thoughts on the State of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreSomething Happens
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreThe Problems of Painting
By Essay Issue 60
Painters Frame Contemporary Painting Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take…
Read MoreThe Painter of Lite™
By Essay Issue 34
LAST night, after the kids’ final day of school and a hard slog at work, our family sat down to watch Jurassic Park III, the kind of movie we call E.T. (“entertaining trash”). Like most Hollywood sequels the film is full of recycled scenes—mainly dinosaurs energetically masticating just about any piece of flesh that comes…
Read MoreSharing a Painting
By Poetry Issue 87
Piero della Francesca’s Madonna and Child with Two Angels For half an hour we had the painting mostly to ourselves, and the longer we stood there taking it in together, the more the people drifting around us seemed to disappear. We spoke quietly when we spoke at all, as though trying not to discomfort the…
Read MoreJapanese Wall Hanging
By Poetry Issue 59
The brush might absorb too much water. Not enough. His stroke could be too heavy or hesitant. The ink could blot. Refuse to spread. Spread in the wrong direction. The Japanese brush painter has trained for years to face this moment. On his knees, leaning back on his heels, today he pictures the heron, come…
Read MoreFour Corners: Painters Frame Contemporary Painting
By Essay Issue 60
Painting has died and been resurrected several times in recent decades. Challenged by theory-laden conversations about art’s “post-medium” condition and a welter of deconstructionist propositions, painting seems nevertheless to have thrived in the face of adversity. Some would say it remains as manifold and imaginative as ever. In order to take its pulse, Image asked…
Read MoreMedieval Miniatures: The Entombment
By Poetry Issue 60
from The Book of Hours, 1440 The painter has left a whole corner empty, squeezed the painting into the top half of a diagonal. How gently they lay His body, His face crooked from pain. Nicodemus lifts Him below the knees. Joseph of Arimathea fixing the shoulders to rest, his chin holding Christ’s haloed head…
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