From the Faraway Nearby
By Essay Issue 108
One way to describe what O’Keeffe did with landscapes is to say that she was trying to figure out a way to look out at the horizon and to see things out there as deeply as she was able to see things like flowers and plants up close.
Read MoreIn the Studio
By Visual Art Issue 107
I love how it changes color with different kinds of light—it’s a different image in the morning than in the evening. Or the color shifts as the viewer moves position. The painting has a little life of its own.
Read MoreTaboret
By Essay Issue 105
When I hear my parents’ voices lilt with Midwestern shame, our pernicious lineage, I want to set the bench on fire or bury an axe head into it.
Read MoreA Christian Nomadic Art: A New Generation of Evangelical Mongolian Artists
By Essay Issue 103
Nomadic art in Mongolia naturally tends toward the spiritual, toward nature and one’s connection with it. Where some painters might want to incorporate shamanistic elements, these evangelical artists say the country’s Christian roots provide more than enough connection to God.
Read MoreFailure Is Fertile Ground: Notes on Painting
By Essay Issue 101
If a painting is worth experiencing at all, it must be affirmed as this emulsion, which reveals itself only to the attentive gaze, though a glance might be the first encounter.
Read MoreLife After Thirty | The Path of Vocation: Melissa Weinman
By Interview Issue 100
I began to paint still lifes of what was readily available, such as fruits and flowers from the garden. It gave me a new appreciation for the vast amount of information and beauty that you can only observe in person—all that the camera doesn’t capture. I became enamored with painting from life once again, seduced by its truth.
Read MoreLife After Thirty | The Path of Vocation: Catherine Prescott
By Interview Issue 100
What has changed me since turning thirty is a result of my Christian conversion. What I wanted as a painter was always there, but when I met God, he told me, “You can paint anything you want.”
Read MoreWe Lift Each Other into Light: Painting, Music, and Poetry in Conversation
By Essay Issue 100
I was warned by teachers and fellow artists against allowing my work to be influenced by others. But I have never really been convinced by the notion of being original.
Read MoreResurrection at Cookham
By Poetry Issue 91
Stanley Spencer, 1924–27 Cascading white roses! Their throne arbored shade’s —-“curious scent” Spencer recalled while painting. Those Seven Sisters perfume ——-my heart. God the Father’s broad: solid ————–as a Giotto Madonna, his curve-plane’s not ours. His hand’s in his son’s hair. Christ, free, in his white gown, cradles three babies, one naked, in folds of…
Read MoreStill Life with Fruits and Bread
By Poetry Issue 91
Pieter Claesz, 1641 Such an austere palette! Such an embarrassment. Such riches! —A flute of currant-red liquid, —-black and red currants in a silver bowl, rhyming red beads on the lacquered finish of the fork-and-knife set, a red —-and black string (the sole blood ——-coursing through this body, save a flush of the wall left…
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