Radiant Power: Authority and Violence in New Egyptian Fiction
By Essay Issue 89
The Televangelist by Ibrahim Essa, translated by Jonathan Wright (American University in Cairo Press, 2016) The Queue by Basma Abdel Aziz, translated by Elisabeth Jaquette (Melville House, 2016) “The Boy Jihadi” by Youssef Rakha (Guernica, 2015) IN THE EARLY HOURS of January 1, 2011, a bomb was set off among New Year’s Eve worshippers…
Read MoreSome Questions about Politics and the Imagination
By Essay Issue 89
Q WOULD YOU MIND if I asked you some questions about the current political situation, given the upcoming presidential election and turmoil in Europe? A. I do mind, as a matter of fact. I have nothing to say about such matters. They’re far too complex. Not to mention depressing. And crazy-making. Besides, I left politics behind…
Read MoreAlways Now
By Essay Issue 62
ARE YOU CONVINCED that everything is going to hell in a handbasket? Down the tubes? Or are you possessed of a more sanguinetemperament? Do you feel that life is getting better every day in every way? Do you believe in progress or regress? What would the make and model of your handbasket happen to be?…
Read MoreThe Myth of Independent Film
By Essay Issue 66
IT STARTED with a phone call. “Sweet D, I’m coming to California. I want to interview you for my new book.” Nobody ever called me “Sweet” except my Davidson College roommate, John Marks. Evidently he was on the prowl, in search of his next story. I was intrigued. “Why me?” I asked him. “Because you…
Read MoreRecognizing the Stranger: The Art of Emmanuel Garibay
By Essay Issue 68
ART MAY BE CONCERNED with the creative manipulation of images, but words are always part of the picture. When we encounter a work of art, a load of labels and captions, categories and explanations always works to help or hinder our better understanding. Some are printed on the wall beside the work; others we carry inside…
Read MoreWritten in the Book
By Essay Issue 80
The Road Ahead Voices for the Next Twenty-Five Years Many gifted artists and writers of faith working today were just learning how to read and hold their crayons when Image was founded. They never experienced the culture wars of the eighties that weighed so heavily on an older generation; theirs are a different set of…
Read MoreFar as the Curse is Found: The Art of Scott Kolbo
By Essay Issue 80
The prophet is a realist of distances, and it is this kind of realism that you find in the best modern instances of the grotesque. —Flannery O’Connor, Mystery and Manners SOME MONTHS AGO, while traveling, I walked full-force into the sloping ceiling of the unfamiliar guest room where I was staying. The blow to…
Read MoreA Conversation with David Bazan
By Interview Issue 82
Singer-songwriter David Bazan was frontman of the indie-rock band Pedro the Lion for ten years, recording four albums and five EPs. He has also recorded with side projects including Headphones, Undertow Orchestra, and Overseas. In 2005, Bazan began touring and recording under his own name, starting with the EP Fewer Moving Parts. With Pedro the…
Read MoreA Conversation with Bruce Cockburn
By Interview Issue 84
Canadian singer/songwriter and human rights activist Bruce Cockburn has released twenty-eight albums over the course of a career that now spans more than four decades. His early music was contemplative, broadly spiritual, and grounded in nature, with a folk sensibility, and though he converted to Christianity in 1974, he never fit the Christian music industry…
Read MoreThe Avant-Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets
By Essay Issue 83
I RECALL A SUNDAY MORNING when the church lectionary readings included a passage from the prophet Isaiah. The lay reader that morning was a thoughtful, older man dressed in a tasteful gray suit. Standing at the lectern, he opened the Bible and read: At that time Yahweh had spoken through Isaiah son of Amoz. He…
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