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By Matthew J. Milliner Essay

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…

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Art

By Theodore L. Prescott Essay

The Word-Soaked World Troubling the Lexicon of Art and Faith Since 1989, Image has hosted a conversation at the nexus of art and faith among writers and artists in all forms. As the conversation has evolved, certain words have cropped up again and again: Beauty. Mystery. Presence. For this issue, we invited a handful of…

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Of Mind and Matter

By Steve Rabey Essay

Of Mind and Matter The Art of Terry Maker   GALLERY-GOERS who stumbled unaware into Reckoning, a 2012 exhibition at the Colorado Springs Fine Arts Center, could be forgiven for assuming that they were viewing a group show, not a retrospective of the work of Terry Maker. Nearly ten thousand feet of gallery space overflowed…

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Web Exclusive: A Conversation with Steve Prince

By Beth McCoy Interview

The art of Steve Prince is explored in an essay by Beth McCoy in Image issue 78. Prince, a New Orleans native, works primarily in printmaking and drawing. His richly textured images are steeped in religious and visual culture; critic D. Eric Bookhardt characterizes their metaphorical power as “an ability to elucidate inexplicable worlds within…

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Allegorical Strays: The Art and Craft of James Mellick

By Karen L. Mulder Essay

AS YOU ARE A SAVVY and a dedicated reader, here for your delectation is a quick quiz in the pestering style of the SAT analogy, but more akin in spirit to Walker Percy’s Lost in the Cosmos: The Last Self-Help Book. If critics from the pre-modern period considered craft to be the opposite of art (craft vs.…

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Things Come Alive: The Art of Olga Lah

By William Dyrness Essay

OLGA LAH DID NOT start out wanting to wrap buildings in electrician’s tape, fill huge spaces with billows of crumpled paper, or line galleries with great swathes of plastic bottle caps. She did not set out to be an artist at all—let alone one catching the attention of the art world in Los Angeles and even…

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Carnal Beauties: The Art of Allison Luce

By Linda Stratford Essay

CERAMICIST ALLISON LUCE makes biomorphic portraits that seem almost excessively beautiful. Each piece revels in its physicality, its undeniable materiality, in its earthy substance—clay—and organic forms. Her four-part Serpent Tree series serves as an apt introduction to her work. In Primoris Ortus, for example, assemblages of swelling, vegetative curves stand alongside works suggestive of eroded rock…

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