My Good Friday plans got hijacked by 11:00 a.m. I’d forgotten the big “marshmallow drop” (don’t ask), and suddenly we were rushing around the house finding shoes and coats and plastic bags so we could join several hundreds of our fellow Evanstonians at the park.While there, we ran into friends, who invited us…

Moira Linehan’s powerful poem scarcely needs commentary; “The Sea Here, Teaching Me” becomes the experience it describes. Linehan turns familiar biblical images of comfort into images of desolation. The reader overhears the sea teaching how to pray, not to a god who is the Psalmist’s rock of refuge and protective fortress but to a “rock…

“It’s the rhythm in rock music that summons the demons,” said the church community of my childhood. So I took my musical thrills where I could find them. In front of my grandfather’s turntable, I air-conducted Ferde Grofé’s “Grand Canyon Suite,” Prokofiev’s “Peter and the Wolf,” and Benjamin Britten’s “The Young Person’s Guide to the…

The band quit playing at church because our priest asked them to sing from the choir loft rather than the altar of St. Joseph in front of the sanctuary. They not only refused, they left the parish. At the music ministry meeting, the guitarist had said, “We get energy from the audience. If we are…

“Without the traffic, silence / itself would sound red birdsong…” As I’m reading these lines in the poem “Seeing in Silence” in Murray Bodo’s latest volume, A Far Country Near: Poems New and Selected, I pause and ponder. How can silence “sound”? I could get literal and say that without traffic’s noise we can hear…

The best way to write about the third installment of God’s Not Dead is to write first about Steven Spielberg’s Ready Player One. Their unexpected but undeniable tie is the desire to see yourself onscreen and what that representation reveals. In Ready Player One, people spend their time in the virtual reality called the OASIS…

Wakefield’s poem presents the metaphor of a peach as the speaker’s body: “I’ll let the sun singe the peach, / my flesh, luxurious, ruined.” The image of the body as a soft fruit blurs the boundaries between human and nature, planting identity within context. In this way, “To Begin With” reminds me of Mark Strand’s…

When I was a soccer-obsessed fifteen-year-old, I had no use for poetry. I endured my school hours like a crated dog, waiting to get out on the field. One afternoon in the library, I picked up a random book of English verse and flipped through it. Eventually I landed on a song from Charles Kingsley’s…

I took several short flights this month, the kind in which going through security takes longer than the flight itself and you wonder if you should have just driven. But what you can’t do behind the wheel, if you want to get to your destination intact, is write poetry. I challenged myself to write a…

There’s nothing to say about Haiti. Even to begin, to start, to try, is to fall into cliches. The cliches of the poverty. The cliches of the beauty. The cliches of the complications. Even the cliche of talking about the cliches. You can’t write about Haiti without overdoing it. You also can’t write about Haiti…