Good Letters
This interview originally appeared as a web-exclusive feature for Image issue 63. John Terpstra has been in church since before he was born. “I have heard everything there is to say about the place, for and against; both its necessity and its redundancy. Have felt it all, in my bones,” he writes. Issue 63 of…
What are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave.… To read well, that is, to read true books in a true spirit, is a noble exercise….…
Tension Isn’t Usually Pretty A Facebook video shows a deputy sheriff getting in the face of a young black protester attempting to access the courthouse lawn in Selma, Alabama, in 1965. The young man keeps his cool, insisting their intentions are merely to pray peacefully, but the deputy isn’t interested. He just wants them to…
I’m in a plane ascending to 37,000 feet. How restless have I been this year? How easily distractible? Already on this flight, from the time of boarding the plane until now, I’ve jumped from e-mail to Facebook to FiveThirtyEight to Jane Hirshfield on Basho to Mishkan Hanefesh, Sanctuary of the Soul, the Reform movement’s new…
Whenever I first meet a long skinny poem, I ask myself: Why has the poet chosen these very brief lines for the poem’s shape? In Todd Davis’s “Nothing More,” the effect of these short lines is a sort of staccato: short phrases punched out in succession and often snapped by startling line breaks. Yet what…
This post originally appeared as web-exclusive content in Image issue 68. Scott Cairns, the author of numerous volumes of poetry, a convert to Orthodox Christianity, and a longtime contributor to Image, has often advocated what he calls a “sacramental poetics”—the idea that a poem should not so much describe something as do something. Mary Kenagy Mitchell interviewed Scott Cairns…
The light on the ceiling of our bedroom is slanted in a parody of the open doorway, letting in the blue glow of a nightlight from the hall. This nightly and usually innocuous shape hides something in the darkness tonight; I see it creeping in the light box, plotting something against me, about to attack.…
“A world created out of silence gives itself over to prayer.” I’m listening to local painter Debra Korluka discuss her work: the icons she’s painted since she was a child studying in the Ukrainian Orthodox church. I’m interested in the symbolism of an icon’s composition and in the paints—their colors, chemistry, poisons, and history. All…
My father: Roy Franklin Harmon, Jr., M.D., passed away on September 22, 2016 at the age of eighty-seven. He was the best man I will ever know. Difficult as it was, my mother wanted me to say something at his funeral service that would at least attempt to encapsulate something of his character. I chose…
We pass into this world at birth. We pass out of it at death. And in between: holiness and horrors. This is probably the largest of themes that a poet could take on, and in “Intercession: For My Daughter” Brett Foster wraps his mind and language around it with consummate craft. First, to keep us…
Good Letters
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Brad Fruhauff
Burke Gerstenschlager
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Jeffrey Overstreet
Christiana Peterson
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Tania Runyan
Brian Volck
For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.


