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Good Letters

Dispatch from Detroit

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We are living in a world that is absolutely transparent, and God is shining through it all the time… —Thomas Merton There were young men out in the streets of Hamtramck blowing things up last night. God knows what they’d gotten their hands on. Could have been small sticks of dynamite for the blast it…

From the Engine Room, Part II: Mountains of Time

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Continued from yesterday.  Up until this point, in describing what it’s like to read Image’s unsolicited manuscripts, I have not said much that an editor at any journal might not say, but of course, Image is not any journal. “Art, faith, mystery” is on our masthead—and we have a long history and a community that…

From the Engine Room, Part I: The Problem with Efficiency

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About a year ago we at Image dragged ourselves into the twentieth century and started accepting unsolicited submissions online. We had held off partly because we were worried that the numbers would balloon—and the amount of work we receive did immediately triple. (We’ve added another reader to help us keep up, but if you feel…

My Money, My Life

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My money is the Tao te Ching, translated and introduced by David Hinton. My $12.87 turned into this teaching: Once it’s full of jade and gold your house will never be safe. Proud of wealth and renown you bring on your own ruin. (#9) My money is a boarding pass for American Airlines flight 5469…

Why We Write

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What is it about words that so moves those of us who are writers? We take the most common of media—language—and can’t resist caressing it, playing with it, taking it apart and putting it together again in some new shape. Why do I love to write, even need to write? I’ve been pondering this question…

Risen

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In a well-written and well-acted scene from Kevin Reynolds and Paul Aiello’s recent film, Risen, the Roman tribune, Clavius (played by Joseph Fiennes), questions one of the guards left to watch the tomb of the crucified Jesus. The guard, drunk in his cups, has been pardoned by the prefect, Pontius Pilate. Clavius knows that the…

Some Questions about Politics and the Imagination

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The following appears as the editorial statement in Image issue 89. Q. Would you mind if I asked you some questions about the current political situation, given the upcoming presidential election and turmoil in Europe? A. I do mind, as a matter of fact. I have nothing to say about such matters. They’re far too complex.…

Poetry Friday: “I Am Poured Out Like Water”

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What attracts me to this poem is something deliberately absent yet evocatively present: baptism in a river. Starting from the very first line—during monastic prayer, the speaker’s mis-chanting “Lord’s forever” as “Lord’s river”—rivers are central to each vignette. There’s the creek where, as a kid, the speaker “took a girl down to the river to…

C.S. Lewis, Less Than Magical

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I first encountered C.S. Lewis in Mere Christianity, then quickly consumed The Screwtape Letters, The Great Divorce, and The Abolition of Man before feeling like we’d hit a good place in our relationship. I tend to be cautious like that with authors. I don’t want to lose the (perhaps childish) affection that first obsessed me.…

The Cult of Emotion

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As a newish, struggling Christian recovering from two years in a fundamentalist youth group, I committed to starting afresh in college. I was going to get fellowship right this time. My high school church had been all about the rules: No secular music (unless oldies from the 1950s). No shorts with hems higher than the…

Good Letters

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For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.

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