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Good Letters

Eat the Delicious Earth

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A year ago, I started cooking and learning how to prepare and love food in new ways. How to spend time with it, think about how it comes apart and together, how it draws lines back to heritage and times when I loved my insides, when love had all kinds of ungraspable meanings. I’m lucky…

Gotta Dance

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My mother was a dancer. I use the term dancer in the most flexible possible way, to mean: “One who dances.” She said that she had always wished to be a ballerina—an image that didn’t compute with my childhood understanding of my mother, a labor room nurse who played racquetball at the YMCA, and otherwise…

Poetry Friday: “Again to Port Soderick”

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To behold God’s creation and to praise it with language is this poem—and it is also the poem’s subject. For what is God’s creation to the devoted poet but a reminder that, as a piece of that creation, she herself is an instrument of God in service of love? To sense creation’s magnificence, to point…

The Vegan at Our Chicken Slaughter

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A few years ago, we invited the newest neighbor in our rural intentional Christian community to help us slaughter the chickens we had raised for meat. Our neighbor told us about his guest up the hill; he was visiting from the city and he was a strict ethical vegan. Our neighbor warned his vegan friend,…

Boyhood and the Incarnation of Time

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The hardest part of watching Boyhood for me wasn’t the film itself but going back to the main menu. You’ve just been immersed in this family’s life for twelve years, and now suddenly you see select moments of that life assembled together in a collage of stills as that soft, wistful song, “Hero,” plays: So…

Adam Zagajewski’s Trench Warfare

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“Writing poems is a duel / that no one wins…” As I’m reading the poem that opens with these words, I think: this could be describing my life. The poem is called “Writing Poems.” It’s by the superb contemporary Polish poet Adam Zagajewski, in his new collection, Unseen Hand. And in fact, nearly all the…

Poetry Friday: “For Whom the Resurrection Is the Full Moon Rising”

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This is a poem to stretch the mind. It begins by stretching our imagination to a cosmic event: a “moondog,” which is a rare bright spot in the moon’s halo. It’s formed by a “mirage of light & cloud & ice”—an image which then brings the speaker down to earth, into his own life. But…

The Dragon and the Yahrzeit Candle: On Forgetting and Remembering, Part 3

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Continued from yesterday and Tuesday. In Hunger Mountain: A Field Guide to Mind and Landscape, David Hinton observes, “We tend to ignore the disappearing, the forgetfulness, but all day long, day in and day out, forgetfulness keeps us woven into dragon’s traceless transformations.” The dragon, he explained earlier, is “China’s mythological embodiment of all creation…

The Dragon and the Yahrzeit Candle: On Forgetting and Remembering, Part 2

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Continued from yesterday.  I dive into the pool. My body remembers water. My body remembers how to swim. My arm swings overhead, my arm follows through, my hand plunges into the water, pushing water, propelling my body forward down the lane. It seems to happen naturally, automatically. I don’t need to think to swim. I…

The Dragon and the Yahrzeit Candle: On Forgetting and Remembering, Part 1

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I remember my social security number. I remember the combination to a lock—13 right, 27 left, 5 right—that rusted beyond use some years ago. How many years? I don’t remember. But I remember this: it was two locks ago. I remember the name of the city in which I was born. I remember the name…

Good Letters

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Brian Volck

For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.

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