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Issue 60

Our twentieth anniversary issue! In the symposium “Fully Human,” nine artists and writers consider how art enlarges our sense of human calling. Plus, a conversation with singer-songwriter Sam Phillips; an essay by Christian Wiman; poems by Franz Wright, Joanna Solfrian, Dick Allen, and Terri Witek; fiction by Ron Hansen; four painters discuss contemporary painting; and more. We had to add pages to this issue in order to pack all this goodness in.

basement rehearsal space, empty room with brick walls and concrete floors, with sunlight lighting the walls.

According to Lazarus


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photos of three large mirrors on a wall outside, the first reflecting two people's heads at the bottom of the shoreline, the second reflecting a man walking on th beach, and the third reflecting the road to the beach.

Another Holocaust Poem


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abstract image of a window with scratches and dew on it, background is green and murky and blurry.

Sudden Death


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shot of a green forest with tall pine trees.

Medieval Miniatures: Entry into Jerusalem


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black and white image of dark leaves or the shadows of them casting a shadow on a glass or a veiled window.

Parsonage with Two Maples


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The Problems of Painting


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Something Happens


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A Painter’s Thoughts on the State of Painting


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Only What You Do For Christ Will Last: A Conversation with Tim Rollins


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God’s Truth Is Life


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blurry forests shot through with blue and green light.

Bystander


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Feature: Fully Human


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image of a bathroom radiator hanging on white tiles with a slant of sun falling across it and onto the sink.

The Sparrow


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Desire and Longing: Image Artists after Twenty Years


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abstract and textured image or painting in dusty mustard with a streak of dark orange-red down the center. the corners are rimmed with a slight murky green.

Shibboleth


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Four Corners: Painters Frame Contemporary Painting


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Lent


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image of a small cross on top of a bare dark hill against a blank sky and underneath powerlines.

The River Rises


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Fully Human


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close up detail of an ornately painted page from The Book of Hours depicting the crucifixion, alongside texts, and a border of different colors in swirls, flowers, and greenery.

Medieval Miniatures: The Entombment


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A Web Exclusive Interview with Gregory and Suzanne Wolfe


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a stretch of water at the very bottom of the frame, greenish, against a pale egg colored sky, intimated to be the sea.

Nothing


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The Burned Butterfly


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Row of books in a shelf with a slant of light across them.

This Time on Earth


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The Name of God


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upside image of a face, close up of the eyes, blurry.

Calvary


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blurry frame with light fractals and bokeh.

The Priest Stops in the Churchyard


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A Conversation with Sam Phillips


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I Used to Light Candles for You


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a woman sits in a clearing among trees filling a water bottle. there is a light leak across her.

Anniversary


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