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An American Body Politic

By Nick OlsonAugust 14, 2017

In recent months several of us have quipped that the drama surrounding the Trump campaign and presidency would make for a great plotline on the FX drama, The Americans. A show about Russian spies living in D.C. during the Cold War easily brings to mind our present-day episode of America-Russia relations. If you watched the…

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Poetry Friday: “The Fawn”

By David MasonJune 30, 2017

Narrative poetry has its special challenge: how does it differentiate itself from prose? David Mason’s story of his family’s relation to a dying fawn does this in several ways. First there’s the iambic pentameter beat carrying us along. Then wordplay, beginning with the opening line: “The vigil and the vigilance of love.” There’s the internal…

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My Own Desert (Tortoise) Father

By Tania RunyanJune 29, 2017

This post originally appeared on “Good Letters” on July 21, 2014. I didn’t spend enough time with Oscar this summer. For forty years I’ve believed time will never run out. Visiting California, I took my annual walk through my childhood backyard of bougainvillea, crepe myrtle, and fruit. I picked some strawberries, paid homage to my…

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Inheriting Trauma

By Callie FeyenMarch 20, 2017

Until a few months ago, I thought Aleppo, Syria was one word. I’d never seen it in print, only heard it, and just once, from the lips of my grandmother. “I was born in Aleppo, Syria,” she said, and since there was no pause between the “o” and the “s” I figured she was referring…

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Kenneth Lonergan’s Manchester by the Sea

By A.G. HarmonJanuary 24, 2017

It’s impossible to speak of Kenneth Lonergan’s film Manchester by the Sea without alluding to its major premise: Some events in life simply can’t be overcome. However, stating that conclusion does not betray the work’s plot, because from the outset the story depicts a man upon whom a terrible blow has been dealt. There is…

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The World at Midday

By Natalie VestinJanuary 23, 2017

I spent Christmas Eve with my mom last month for the first time in years. It was unexpected; she was happy and well. All through the drive to my aunt’s house—Dad at the wheel, Mom turning the music up—my sister and I watched the lights and thought about extraordinary transformations. How anything is possible, though…

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Black Lives, Black Art

By Peggy RosenthalJanuary 17, 2017

I happened to be re-reading Uncle Tom’s Cabin when the current issue of Image (#90) arrived in the mail. So I was especially interested in Joe Milazzo’s essay on the work of African American artist Sedrick Huckaby. In Harriet Beecher Stowe’s 1851 novel, even the kindest and most compassionate white people refer to their slaves…

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Hea i ka Haku

By Marlene MullerJanuary 9, 2017

On day two we fired the harpist. “The music is really very lovely,” the nurse had explained, as if we’d never heard a harp before. My sister and I sat facing each other in plastic chairs on either side of a hospital bed. We watched the nurse smear Vaseline on our mother’s lips. Our mother’s…

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A Love Supreme: The Surprising Art of Sedrick Huckaby

By Bruce HermanDecember 26, 2016

This essay is a web exclusive accompanying Image journal’s current issue, #90.   Homely, decorative, domestic—that’s how most of us think of quilting: something a sweet grandmother does while humming an old tune and waiting for a pie to cool on the rack. It’s a comfy-seeming practice we associate with homemaking and mothering—vocations mostly overlooked…

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I Miss Gwen Ifill

By Caroline LangstonDecember 19, 2016

For Kate Keplinger It is the blight man was born for It is Margaret that you mourn for… —“Spring and Fall,” Gerard Manley Hopkins “I’m sorry for your loss,” my friend Dionne posted in response to a note I posted on Facebook. I’d just come back on the redeye from the West Coast that morning, and…

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