Skip to content

Log Out

×

Here Is Where We Wait

By Natalie VestinAugust 7, 2018

This summer, I climbed the rotting steps to the hayloft of my family’s barn to look for a plaque honoring the use of emergent DNA technology in solving the Brown’s Chicken Massacre case. The floor was soft, dipping a little as I walked, and I looked in slow motion through my great-aunt’s things: frosted glassware,…

Read More

Blind Epiphany

By Natalie VestinJanuary 3, 2018

Over Thanksgiving, my sister and I spoke of transitions. We’re both susceptible to periods of high and illogical anxiety. She said how, as a teen, she was able to make the anxiety wax and wane through transitions: going home from school for the summer or for vacations, returning to college, starting her summer job. These…

Read More

The Chopin Stitch

By Natalie VestinNovember 27, 2017

In a recent New York Times interview, pianist Steven Osborne discussed the strange experience of playing Olivier Messiaen’s composition “Vingt regards sur l’Enfant-Jésus,” strange because the twenty movements are entirely different creatures changing shape when experienced with different senses. The first movement, “Regard du Père,” comprises simple chords that build harmonic complexity interspersed with Messaien’s…

Read More

The Arm, the Girl, and the Guard

By Natalie VestinOctober 16, 2017

In a long room with three doorways in Tokyo’s National Museum of Modern Art, somewhere in the humming midgut of the building, hangs an oil painting of a man’s arm holding a hammer above a length of chain. In front of the painting about three paces away is a twenty-two-year-old girl (her wording) who’s spent…

Read More

Painting Brings the Ancestors Around

By Natalie VestinSeptember 26, 2017

On a November evening last year, I walked to my rosemaling class and sat around a table of women. We represented a wide range of ages and backgrounds, but we were all raised with rosemaling—breadboards and spoons and carved horses and Välkommen plaques all made of basswood. We were all trying to invoke the people…

Read More

Dark Forest on Fire

By Natalie VestinSeptember 5, 2017

“We’ve got five years, that’s all we’ve got,” sang Ziggy Stardust forty-five years ago. Did people feel a prickling in 1977, as if Bowie might be prophet? It’s not so hard to believe. Do people ever forget to fear burning to death once they’ve imagined burning in their beds, under their desks, in their basements?…

Read More

Possessed

By Natalie VestinAugust 9, 2017

It refused to rain during the hot, middling July weeks the summer I turned fifteen. The clouds hung low over the Plains. My mother and I fought nearly every day during that dry month, even if our fighting was mostly silent, threats drawn from taut eyes and skin. I pushed always, every day, against an…

Read More

Summer’s Heartbeat

By Natalie VestinJuly 19, 2017

On some summer nights, it seems the world is brighter, more visible in a quiet way, as if the dusk was created for your pleasure. On some summer nights, it seems you can see through the false dome of sky to what lies beyond, air glimmering just for you. There’s a vertiginous sense that the…

Read More

Courting Babel

By Natalie VestinJune 22, 2017

This month I thought it would be a good idea to take four hours of Arabic every week and an intensive JavaScript course all while working full-time. I was nervous about the Arabic, scared that I wouldn’t remember how to read or speak politely after three years away from formal lessons, but strangely, it came…

Read More

Thine Is the Transkingdom

By Natalie VestinJune 8, 2017

Jasmine Temple, laboratory technician at New York University Lagone Medical Center, Institute for Systems Genetics, won this year’s agar art contest for her creation “Sunset at the End.” The contest, held every year by the American Society for Microbiology, features images of landscapes, portraits, and conceptual art made by the arrangement of microorganisms grown on…

Read More

Receive ImageUpdate, our free weekly newsletter featuring the best from Image and the world of arts & faith

* indicates required