The Americans, FX’s drama about Russian spies living in Washington, D.C., ended its six-season run on May 30. After season five, I wrote in “An American Body Politic” about how deception corrupts various kinds of bodies (national, personal, marital) because intimacy cannot abide it. In one plotline during this final season, spy Elizabeth Jennings goes…

In July 2016, I watched season one of Stranger Things with my younger brother. I didn’t encounter a Demogorgon in the small town where we grew up, but I did use walkie-talkies, grow infatuated with girls from school, and roam the neighborhood on my bike. Last fall, I watched season two with my wife, the…

The best way to write about the third installment of God’s Not Dead is to write first about Steven Spielberg’s Ready Player One. Their unexpected but undeniable tie is the desire to see yourself onscreen and what that representation reveals. In Ready Player One, people spend their time in the virtual reality called the OASIS…

My favorite film from last year is a farce. Paul Thomas Anderson’s Phantom Thread functions like a twisted screwball comedy: Its momentum is the back-and-forth seeking of the upper hand in the relationship between Reynolds Woodcock (Daniel Day-Lewis) and Alma (Vicky Krieps). But narrative momentum does not always move the viewer. Anderson’s films can be…

Near the end of 2017, I rewatched Oliver Assayas’s ghost story film Personal Shopper not long after my wife asked if I had any New Year’s resolutions. It occurred to me that Personal Shopper may be an interesting film to frame the answer to that question. For all its apparent ambiguity, Personal Shopper seems clear…

Lady Bird finds its rhythm by the quick wit of its characters’ banter and succeeds especially because of its excellent performances. Director Greta Gerwig adds to characterization as she frames and arranges their relationships. Lady Bird and her mother have a memorable argument at the thrift store, and it’s as if they are nearly submerged…

I graduated from Bellefonte Area High School in 2004. During my senior year, I indulged my role as a star basketball player, taking in all of the attention that came with it. I was careful, though, to reject the label of jock because I didn’t want to be perceived that way. I noticed the eyes…

In July 2016, I watched season one of Stranger Things with my younger brother. I didn’t encounter a Demogorgon in the small town where we grew up, but I did use walkie-talkies, grow infatuated with girls from school, and roam the neighborhood on my bike. Last week, I watched season two with my wife, the…

Two of our most compelling film directors working in the Hollywood studio system—Darren Aronofsky and Denis Villeneuve—recently released startling movies, and the movies have obvious differences. Aronofsky’s mother! is an original psychological horror film allegorizing in unorthodox ways the Biblical mythology. Villeneuve’s Blade Runner 2049 is a science fiction sequel to Ridley Scott’s 1982 classic,…

Near the beginning of Raoul Peck’s documentary, I Am Not Your Negro, James Baldwin says that in 1957 he couldn’t stop thinking about a photograph he saw at every newspaper kiosk in Paris. It was of the fifteen-year-old black girl Dorothy Counts, who was surrounded by a white crowd filled with revulsion at the sight…