Last night I read a poem that showed me in a flash why I save evening-time for listening to classical music while I knit, or browsing through an art book, or reading fine poems like this one. I’ve said in a previous post that I keep a volume of poems by my bed for evening…

I’m a poet and believer. If anyone should spend an evening gazing at a meteor shower, it should be me: dreamer, connector. Hidden under the fingernails of God. But those Zone 5A clouds seem ever near in August, when the air thickens with cicada song. And to be honest, I’m relieved. The day’s tasks of laundry…

After one glass of wine, one poetry reading, and two hours, my bill totaled $452.21, and I hadn’t even bought Paul Nelson’s book. At least the tow truck driver was apologetic. “I waited as long as I could before I hooked up your car. I just got here ten minutes before you.” I could tell…

I can’t begin to count the number of poems which offer their language to re-imagining the Genesis creation story—maybe because poetry itself is an act of creation.  Jeanne Murray Walker’s creation narrative “In the Beginning Was the Word” (Image issue 85) plays exuberantly with language, as if in imitation of God’s exuberance in creating our…

I read this poem as a meditation on how one can relate to the outside world without needing to possess it. A poem on how to let go: to connect beyond oneself without clutching. Here, the outside world is that of nature, which the poem’s speaker recounts her relation to. Partly it’s a relation of…

I’ve long loved Pattiann Rogers’ poems: how they caress nature’s most minute details with acutely attentive language. Here, in “The Moss Method,” she focuses on one of nature’s most lowly living things: moss. The poem is a paean to moss’s inconspicuous virtues: its literal lowliness, its quiet power of softening sharp edges, its luscious mats…

The Genesis story of the creation of Adam and Eve: poets for centuries have been attracted to it. They wonder: what was in God’s mind? In Adam’s? In Eve’s? Poets wonder and re-envision the scene. Richard Chess, in “When God Dreamed Eve through Adam” (Image #85), chooses to stay in Adam’s mind—and chooses to craft…

This editorial statement from issue 88 is continued from yesterday. Read Part 1 here.  In 1994, Image was in its infancy, and I was living in Wichita and working with the Milton Center, a nonprofit devoted to fostering excellence in creative writing by people of religious faith. Thanks to a major grant, we were able…

How do you know if it’s a poem? Maybe it’s a month, a month-at-a-glance, many days lined with appointments to exchange energy in cells, rows, examination rooms, fields with clients, colleagues, patients, classmates. But, ah, a few blank, spacious days. Maybe it’s an old-fashioned phone book, the white pages with everything you need to call…

Here is a poem that silently enacts a conversion.  The poem starts off with a string of scornful terms for the speaker’s new neighbors, culminating in the almost mean pun on their child’s “grin” as “grim.” But right after this, the speaker begins to soften her terms: she notices a “warmth” in this noisy, dirty,…