On the Probability of Christ’s Delight in Our Boys Occasionally Whacking People with Their Fronds During Palm Sunday Mass
By Poetry Issue 120
Perhaps our sons are signs, agitating the distracted
to gaze at the frescos restored to the apse
Paradigm Shift
By Visual Art Issue 120
I was confronted with the reality that a perfect church could not exist, that the leaders that I had grown up revering were flawed and very human.
Read MoreIn the Studio
By Visual Art Issue 120
The following year I reentered the studio to die. After fifteen days—unable to eat or sleep, my mind desperately trying to give solace to my broken life—I finally collapsed and gave up my life in radical surrender.
Read MoreA Cappella
By Poetry Issue 120
With a mechanical click,
The light ceases,
Leaves you deep-keeled in darkness.
Monterchi, 1983
By Poetry Issue 120
Yes to mortal love and anguish.
Read MoreJohn Moreland’s Hard-Earned Gospel
By Culture Issue 120
Though Moreland does not subscribe to any traditional faith system, his music is suffused with Christian imagery and with a palpable, unorthodox longing for transcendence.
Read MoreThe Entombment of Christ
By Poetry Issue 120
Death is so awkward.
Read MoreMy Venice
By Poetry Issue 120
Sometimes I think my soul is like a fist
that on occasion opens.
Voice as Vocation: The Psalms of Diane Glancy and Julia Fiedorczuk
By Culture Issue 120
These recent books of psalms by Diane Glancy and Julia Fiedorczuk remind us that voices put us in the generative space of the shared, the relational; they engage us in a place of self and other, self and world, self and self.
Read MoreWhy I’ve Gone Back to Church
By Poetry Issue 120
I need her like I need the falseness
of my own voice explaining death to a toddler.


