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Poetry Friday: “Self Portrait as a Lighthouse”

By Elizabeth SpiresDecember 8, 2017

Thomas Merton wrote, “Art enables us to find ourselves and lose ourselves at the same time.” I feel like this sentiment is especially potent when the literary and visual arts intermingle. Elizabeth Spires employs aspects of ekphrastic poetry as well as persona poetry in order to both lose and find herself in this imaginative poem. Inspired,…

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What Child Is This?

By Andrew JohnsonDecember 7, 2017

My wife is holding my hand to her stomach, gently gliding my fingers just beneath her ribcage where two small feet have been kicking against skin. She is thirty-two weeks pregnant with our third child, due in early December, an Advent baby. Sitting on our bed, she guides my hand as if across a globe,…

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Lady Bird Ascending: Part 2

By Nick OlsonDecember 6, 2017

Lady Bird finds its rhythm by the quick wit of its characters’ banter and succeeds especially because of its excellent performances. Director Greta Gerwig adds to characterization as she frames and arranges their relationships. Lady Bird and her mother have a memorable argument at the thrift store, and it’s as if they are nearly submerged…

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Lady Bird Ascending: Part 1

By Nick OlsonDecember 5, 2017

I graduated from Bellefonte Area High School in 2004. During my senior year, I indulged my role as a star basketball player, taking in all of the attention that came with it. I was careful, though, to reject the label of jock because I didn’t want to be perceived that way. I noticed the eyes…

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Advent Lights

By Bryan BlissDecember 4, 2017

The highways that snake down and around rural Iowa are dark. Enough that, if you are driving at the right time of night, and there isn’t a lot of traffic, you can catch moments of brilliance in the sky. Stars forever. An impossibly deep night. The opportunity to take a breath. My wife and kids…

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Poetry Friday: “Scale”

By Chelsea WagenaarDecember 1, 2017

As I read and re-read this poem, I enjoy noticing exactly when I’ve realized that it’s about the speaker’s pregnancy. If I know that “linea nigra” in the second verse is the dark line that appears on a pregnant belly from belly button downwards, then I’ve already caught on. If I don’t know this, I…

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The Cost of Writing the Truth

By Tony WoodliefNovember 30, 2017

I remember my mother used to go to bed for the day. The blackness of her mood seemed to darken her room. I don’t know why she left her door open. Maybe she knew, even in her unresponsive state, that she needed to be able to hear us. Maybe she thought it would be less…

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The Optics of Illusion

By Brad FruhauffNovember 29, 2017

Ross told the kids to stare at the splotchy red and blue picture and wait. A dozen elementary-school students tried to sit still long enough to just look. The image could have been a representation of Claude Monet’s last sight of his breakfast nook. Color without definition, intensity without concreteness, depth without distance. For some…

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What Keeps Me from You

By Richard ChessNovember 28, 2017

What keeps me from you: a meeting with human resources. What keeps me from you: I slept through the night to the dream of shopping. For a board. With wheels. Low to the ground. Lower than other boards. Lower to the ground than most kids. You can skate, you can roll, but you can’t fall.…

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The Chopin Stitch

By Natalie VestinNovember 27, 2017

In a recent New York Times interview, pianist Steven Osborne discussed the strange experience of playing Olivier Messiaen’s composition “Vingt regards sur l’Enfant-Jésus,” strange because the twenty movements are entirely different creatures changing shape when experienced with different senses. The first movement, “Regard du Père,” comprises simple chords that build harmonic complexity interspersed with Messaien’s…

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