Good Letters
A delightful scene is set in this poem. At the start of the new year, the speaker and some friends are doing volunteer woodwork to repair their church’s altar. As the speaker details the steps of their careful work, we’re carried along by the poem’s base rhythm of iambic pentameter. Soon religious language enters the…
You do not have to feel guilty about loving music. Please keep this in mind. Alan Jacobs, in his The Pleasures of Reading in an Age of Distraction, writes, “read what gives you delight…and do so without shame.” Amen, I say, and don’t be afraid to apply this to the music you like, too. There…
The fact that a half-hour meal alone in an IHOP occasions its own blog post shows just how far I’ve devolved in my practice of solitude. I’ve gotten pretty good at putting my phone away when going out for meals with friends and family. But when I’m alone in a waiting room, in line at…
Every week, the Image staff curates a digital dispatch of compelling new books, music, artwork, and more, with personal recommendations, links from around the web, and a community message board with calls for art and job postings (not to mention exclusive access to Image discounts and VIP workshop registration!). We deliver these dispatches from the…
This essay is a web exclusive accompanying Image journal’s current issue, #90. Homely, decorative, domestic—that’s how most of us think of quilting: something a sweet grandmother does while humming an old tune and waiting for a pie to cool on the rack. It’s a comfy-seeming practice we associate with homemaking and mothering—vocations mostly overlooked…
Christmas carols: we love their joyous celebration of the birth of Christ. In “Carol of the Infuriated Hour,” David Brendan Hopes takes the carol form—its rhythm and rhyme scheme—to present a more complex view of the Christmas event. The poem’s speaker has “warred” with God, but he decides to cease his struggle “for the sake…
Of Lanecia A. Rouse Tinsley’s small encaustic Advent paintings, my favorite is Meditation on the Incarnation. If food can have mouthfeel, then art has gutfeel. Meditation on the Incarnation drops and spreads into the gut holy and creepy like tequila, like subzero air that both hardens and hurts the belly. Three blue, elongated forms more…
Seven months ago, I was teaching writing to high school seniors at a Christian school on the southwest side of Chicago, thirty minutes from my suburban hometown but essentially in another universe. I was three months away from finishing my MFA through Seattle Pacific University, and I wasn’t sure that I was going to make…
You’ve got to meet this character. She’s a stenographer by trade: From the outset she was the obsessive type, maker of lists: dates, births and deaths, diagnoses, times of arrival and departure, the amassing of coins, weapons and works of art, portions of letters, speeches and grocery lists, though soon it was statements of motivation,…
For Kate Keplinger It is the blight man was born for It is Margaret that you mourn for… —“Spring and Fall,” Gerard Manley Hopkins “I’m sorry for your loss,” my friend Dionne posted in response to a note I posted on Facebook. I’d just come back on the redeye from the West Coast that morning, and…
Good Letters
Regular Contributors
Richard Chess
Joanna Penn Cooper
Brad Fruhauff
Burke Gerstenschlager
Caroline Langston
Morgan Meis
Jeffrey Overstreet
Christiana Peterson
Peggy Rosenthal
Tania Runyan
Brian Volck
For the humanists of the Renaissance, literature mattered because it was concrete and experiential—it grounded ideas in people’s lives. Their name for this kind of writing was bonae litterae, a phrase we’ve borrowed as the title for our blog. Every week gifted writers offer personal essays that make fresh connections between the world of faith and the world of art. We also publish interviews with artists who inspire and challenge us.


