Though the Dalai Lama has yet to use a computer, the 1990s “Think Different” ad is a reminder that he was a mascot of globalization in its early phase, between the fall of the Berlin Wall in 1989 and the terrorist attacks of 9/11. In that innocent era, the universal triumph of liberal capitalism and…

When I first met Daniel Bowman Jr. at the Festival of Faith and Writing, we both experienced that you’re-not-how-I-pictured-you-from-Facebook moment. While he may not have felt self-consciously compact, I became quite aware of my own awkward, lumbering stature that banged into a book table or two. Still, I tried to make a good impression while…

Continued from yesterday. In some ways, “mystery” is perhaps the boldest term we chose as a subtitle for Image, the one most out of touch with our times. It is true that secular artists and writers regularly speak of navigating uncertainties and ambiguities. But in their embrace of post-Enlightenment thought, they tacitly accept various determinisms…

The following is adapted from the preface to The Operation of Grace: Further Essays on Art, Faith, and Mystery. My God, my God, thou art a direct God, may I not say a literal God, a God that wouldst be understood literally and according to the plain sense of all that thou sayest? but thou…

At the end of each year, I compile a list of “songs of the year” that I email to my friends (and send to Image) on December 31. These songs are probably not the best of the year, but I don’t know how I would be able to figure those out anyway (Jessica Hopper has…

During a windstorm, our wooden statue of St. Francis is knocked over. I lean him back onto the uneven garden patch beside the porch but the next morning, as I am ushering my children out the door for school, I hear my daughter cry, “Oh no, St. Francis has fallen!” I get them in the…

If God is love, as we’re told, then what kind of love is he? In the quest to know that which is beyond all knowing—another one of those oxymorons so characteristic of religion—we find a set of pictures that for any serious adult proves ultimately unsatisfying. Brotherly love, fatherly love, even passionate love have all…

Joan Didion’s family, she says, are a tribe of leavers. In her 2004 book Where I Was From, she begins with her great-great-great-great-grandmother and traces a family history lined with people who, she says, are always leaving, always pushing west. “They tended to accommodate any means in pursuit of an uncertain end,” she says, unsparingly.…

  Snow had fallen, snow on snow, Snow on snow, In the bleak mid-winter Long ago. You probably know these lines, either from Christina Rossetti’s poem of 1871 or, more likely, Holst’s setting of them as a carol. I know them. I used one of them as title of a book, “bleak” altered to “deep”…

Somewhere in the middle of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, the eponymous Jeanne eats a sandwich in her kitchen. We have, by that point in the film, seen quite a lot of Jeanne’s kitchen. We’ve watched Ms. Dielman cook in that kitchen, peel potatoes, wash dishes (shot from behind her back so…