Discussion Questions
By Issue 130
Interview: Jamie Quatro, “The Body Believes” Quatro describes her need for sensory experience in worship. In what sensory experiences do you find connection to the divine, inside or outside church? Growing up in a family “looking for signs of the end,” Quatro says she was “primed for the visionary.” How has your upbringing influenced the…
Read MoreIn the Studio
By Visual Art Issue 130
Tatu Tuominen is a Finnish artist whose work contextualizes archival material within discourses on ecology and built environment. A lecturer in printmaking at University of the Arts Helsinki, his practice includes printmaking, installation, collage, and moving image. Image: Can you tell me about your spiritual or religious background growing up? TT: It was shaped by…
Read MoreEmbracing Impermanence
By Visual Art Issue 130
WHEN I WAS THIRTY, a fire destroyed my childhood home, where I still lived, and nearly everything I owned. Books and sketchbooks, clothes, furniture, and years’ worth of paintings and textile art in cotton, linen, and silk-all of it burned. Afterward, I turned toward making work in ceramics and steel. These media gave me…
Read MoreMother-Survivor at the Gates of Dawn: An Icon In Contemporary Art
By Visual Art Issue 130
A WEIGHTY COWHIDE over a coatrack. A mighty African woman adorned with elephant dung. A disheveled Latvian man indifferently stuffing an apple into a child’s mouth. All of these are contemporary renderings of the Virgin Mary (by Dorothy Cross, Chris Ofilli, and Ance Eikena, respectively). Over the past decade, the Western visual art scene has…
Read MoreIn The Studio
By Visual Art Issue 130
Perri Lynch Howard uses painting, drawing, installation, and audio recording to investigate the passage of light, sound, and signal through the world’s most vulnerable ecosystems. She is represented by the Seattle Art Museum Gallery and ArtX Contemporary and is a volunteer field recording ambassador with Quiet Parks International. Image: What kind of religious and cultural…
Read MoreWilliam Blake, AI, and the Inner Image
By Culture Issue 130
Burning Bright. Curated by Elizabeth Wyckoff and Timothy Young at the Yale Center for British Art, Fall 2025. Elizabeth Wyckoff. Blake. Yale Center for British Art Collection Series, 2025. WE HAVE HAD THE WORD ICON FOR A WHILE, since the 1570s at least in our language, but it has recently been subjected to fairly comprehensive…
Read MoreThe Bad Actor
By Culture Issue 130
TWO YEARS AFTER I received a monstrous beating, I became interested in pietàs. What happened, according to the police report filed in Morris Park, was this: The G train approached the Flushing Avenue stop at nine on a Tuesday evening. The car was half full. I was journaling and reading Flaubert. A man in matching…
Read MoreLife After Death: News from a Texas Prison’s God Pod
By Essay Issue 130
BIG ENOCH WAS JUST SHIFTING into third gear in his exegesis of the prophetic nature of Amos 7:9 when D-Town Filo stabbed Sidetrack in the cheek with a sharpened welding rod. I admit to having zoned out a bit in the middle there. It had something to do with Donald Trump being a new Jeroboam,…
Read MoreNotes from Detention
By Essay Issue 130
——–South Texas Family Residential Center, Dilley, Texas From June 2025 to April 2026, the author was held by Immigration and Customs Enforcement, along with her mother and four younger siblings, after her father was charged with a fatal attack on protestors in Boulder, Colorado. This essay is based on notes she kept during her…
Read MoreTrespasses and Habitations: Living on Hallowed Ground
By Essay Issue 130
I LIVE ON THREE ACRES at the base of the Rocky Mountain foothills in Larimer County, Colorado. It often snows more on these few acres than it does in Fort Collins, just four miles away. When the weather shifts, the wind is fierce, so much so that it has overturned horse trailers and uprooted playsets.…
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