Anselm Kiefer. Ash Flower, 1983–97
Oil, emulsion, acrylic paint, clay, ash, earth, and dried sunflower on canvas. 149¾ x 299¼ inches. Collection of the Modern Art Museum of Fort Worth, gift of the Burnett Foundation in honor of Michael Auping
Featured in Issue 77.
Poetry
![Burns, [Palm Sunday], poem](https://imagejournal.org/wp-content/uploads/bb-plugin/cache/Burns-Palm-Sunday-poem-circle.jpg "Burns, [Palm Sunday], poem")
S. Billie Mandle. Saint Pancras, 2008–18.
Archival pigment print. 32 x 40 inches.
from “Reconciliation,” Issue 104
Eric Aho. Ice Cut (1937), 2015.
Oil on linen. 74 x 95½ inches.
from Eric Aho’s “In the Studio” feature, issue 110
Essays
Georges Rouault. The Crucifixion, 1936.
Aquatint, roulette, and drypoint over heliogravure. 26 ¼ x 20 ½ inches. Collection of Robert and Sandra Bowden.
Featured in Issue 67.
Short Stories
Jeffrey Mongrain. Blood Pool, 2006.
Plexiglas. 47 x 88 x ¼ inches. Saint Peter’s Church, Columbia, South Carolina.
Read more in Gordon Fuglie’s essay, “Jeffrey Mongrain: An Iconography of Eloquence.”
Personal Reflections from Good Letters
Marc Quinn. Eternal Spring (Lilies) I, 1998.
Stainless steel, glass, frozen silicon, lilies, and refrigeration equipment. 87 x 35 x 35 inches.
Featured in Issue 69.
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