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Anselm Kiefer. Ash Flower, 1983–97
Oil, emulsion, acrylic paint, clay, ash, earth, and dried sunflower on canvas. 149¾ x 299¼ inches. Collection of the Modern Art Museum of Fort Worth, gift of the Burnett Foundation in honor of Michael Auping
Featured in Issue 77.
Poetry
Larry Racioppo. Tin Knocker’s Toolbox, 1995. Gold Street, Manhattan.
16 X 20 inches. 35mm color negative.
Featured in Issue 51.
Essays
Alfonse Borysewicz, Hive, 70 x 50", 2010-2019, Oil & Wax on Linen with Gold Leaf
Featured in Issue 32.
Short Stories
Georges Rouault. The Crucifixion, 1936. Aquatint, roulette, and drypoint over heliogravure. 26 ¼ x 20 ½ inches. Collection of Robert and Sandra Bowden.
Featured in Issue 67.
Personal Reflections from Good Letters
Jeffrey Mongrain. Blood Pool, 2006. Plexiglas. 47 x 88 x ¼ inches. Saint Peter’s Church, Columbia, South Carolina.
Read more in Gordon Fuglie’s essay, “Jeffrey Mongrain: An Iconography of Eloquence.”
Personal Reflections from Good Letters
Marc Quinn. Eternal Spring (Lilies) I, 1998. Stainless steel, glass, frozen silicon, lilies, and refrigeration equipment. 87 x 35 x 35 inches.
Featured in Issue 69.
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