Marilyn Nelson is the author or translator of twelve books and three chapbooks. Her honors include two NEA creative writing fellowships, the 1990 Connecticut Arts Award, an A.C.L.S. Contemplative Practices Fellowship, a Fulbright Teaching Fellowship, a fellowship from the J.S. Guggenheim Memorial Foundation, three honorary doctorates, and the Commander’s Award for Public Service from the…

The daughter of a Tuskegee Airman and a teacher, Marilyn Nelson was brought up primarily on military bases and started writing while still in elementary school. She earned her BA from the University of California, Davis, and holds postgraduate degrees from the University of Pennsylvania (MA, 1970) and the University of Minnesota (PhD, 1979). Her long…

This post is a web-exclusive feature accompanying Image issue 93. In the conversation around faith and film, Ron Austin is an elder statesman. He has worked a lifetime in the entertainment industry, and his essays and books, including In a New Light: Spirituality and Media Arts, have influenced generations of filmmakers (much of his writing is…

Continued from yesterday. This post originally appeared as a web-exclusive feature accompanying Image issue 84. Each chapter of Lauren F. Winner’s book, Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God (HarperOne), explores a single biblical image of God through a mix of exegesis, cultural history, and personal essay. I asked Winner about her…

This post originally appeared as a web-exclusive feature accompanying Image issue 84. Each chapter of Lauren F. Winner’s book, Wearing God: Clothing, Laughter, Fire, and Other Overlooked Ways of Meeting God (HarperOne), explores a single biblical image of God through a mix of exegesis, cultural history, and personal essay. The chapter excerpted in issue 84 is about bread. I…

Van Gessel has been Shūsaku Endō’s primary English translator since the 1970s. He has translated eight of his novels and worked as a consultant on Martin Scorsese’s adaptation of Silence. I asked him about the previously untranslated Endō story in Image issue 92, and about what Endō’s work has to say to the West. Image:…

Just released by Oxford University Press, When Art Disrupts Religion: Aesthetic Experience and the Evangelical Mind has received praise from such leading scholars as David Morgan and Randall Balmer. Image editor Gregory Wolfe recently interviewed the author, Philip Salim Francis. Image: Your book has the provocative title When Art Disrupts Religion: Aesthetic Experience and the…

Continued from yesterday.  Alastair John Gordon’s newest exhibit, “Souvenirs from the Waste Land,” draws on the postcard collection of Howard and Roberta Ahmanson, philanthropists and art collectors in L.A. Their collection includes mementos from their travels, scenes of architectural interest, and reproductions of works of art—over 18,500 postcards in all. I spoke with Gordon by…

  Historically, modern art has prized originality and authenticity. But alongside this tradition runs another set of practices: replication and tactics of illusion. The Romans made copies of Greek sculptures; Northern Europeans in the seventeenth century practiced an illusionistic approach to still life painting called quodlibet, or “what you will”; American pop art reproduced images…

Beloved fiction writer George Saunders just published his first novel, Lincoln in the Bardo, an unconventional work of historical fiction about the moment when Abraham Lincoln was embroiled in the Civil War and lost his son Willie to typhoid fever. I recently spoke to George Saunders on the phone from his home in California about…