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Skin: A Redemption Story

By Nick RipatrazoneJuly 26, 2019

Men and women bearing torches chant “blood and soil” as they cross a bridge in Columbus, Ohio. One of the group’s loudest members is Bryon: head-shaved, his body cloaked in tattoos. The torch lights his face, which quickly turns from a smirk to something rabid. Clad head-to-toe in black, he leads the boot-march toward a…

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Frames of Mind: Nine Reflections on the Passing of Filmmaker Abbas Kiarostami

By Jeffrey OverstreetMarch 11, 2019

1. We’ve been watching the bird feeder. As the day comes into focus with the bedroom window’s frame, the light catches steam rising from our morning mugs like smoke rising from sacrifices on altars. Anne and I attend, blank journals propped like tents in our laps. We are not alone. Our cats, Mardukas and Zooey,…

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Blade Runner 2049: Master Copy

By A.G. HarmonApril 2, 2018

For a long time I’ve said that the 1982 film Blade Runner is my favorite motion picture, though I’m really only a small-time devotee of science fiction. I find many examples of the genre fail to achieve its high calling by degenerating into childish self-indulgence. And movies that fit the category often run even further…

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Love Hurts in Phantom Thread

By Nick OlsonMarch 12, 2018

My favorite film from last year is a farce. Paul Thomas Anderson’s Phantom Thread functions like a twisted screwball comedy: Its momentum is the back-and-forth seeking of the upper hand in the relationship between Reynolds Woodcock (Daniel Day-Lewis) and Alma (Vicky Krieps). But narrative momentum does not always move the viewer. Anderson’s films can be…

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Paddington to the Rescue

By Jeffrey OverstreetFebruary 7, 2018

  As immigrants fall to the fury of fearmongers, could it be Paddington the bear (a household name for families who cherish children’s books) who reawakens the heart of England to compassion, cooperation, and community? As if designed to shame isolationists, Paddington 2 sends its hero (a soft-spoken immigrant himself) stumbling into a case of…

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Arts & Faith Top 10 Films of 2017: Part 2

By Arts & Faith Ecumenical JuryFebruary 6, 2018

Cinema at its best has the power to transform minds, to inspire generations, and to speak across geographical, intellectual, and educational borders. Cinema can encourage, motivate, and challenge the hearts, minds, and souls of anyone willing to engage within the visual journey. We’ve witnessed stories of faith, sacrifice, redemption, and persecution. We’ve discovered the call…

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Arts & Faith Top 10 films of 2017: Part 1

By Arts & Faith Ecumenical JuryFebruary 5, 2018

Cinema at its best has the power to transform minds, to inspire generations, and to speak across geographical, intellectual, and educational borders. Cinema can encourage, motivate, and challenge the hearts, minds, and souls of anyone willing to engage within the visual journey. We’ve witnessed stories of faith, sacrifice, redemption, and persecution. We’ve discovered the call…

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Lady Bird Ascending: Part 2

By Nick OlsonDecember 6, 2017

Lady Bird finds its rhythm by the quick wit of its characters’ banter and succeeds especially because of its excellent performances. Director Greta Gerwig adds to characterization as she frames and arranges their relationships. Lady Bird and her mother have a memorable argument at the thrift store, and it’s as if they are nearly submerged…

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Lady Bird Ascending: Part 1

By Nick OlsonDecember 5, 2017

I graduated from Bellefonte Area High School in 2004. During my senior year, I indulged my role as a star basketball player, taking in all of the attention that came with it. I was careful, though, to reject the label of jock because I didn’t want to be perceived that way. I noticed the eyes…

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The Sound of Scorsese’s Silence

By Nick OlsonMay 17, 2017

It’s been nearly a month since I finally saw Scorsese’s Silence, and what I remember most is the cry of cicadas and how crucial sound is to the film’s translation of Shūsaku Endō’s novel. The cicadas’ song is loud, and in Silence, they sound a sorrowful note. We hear the cicadas and the crickets before…

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