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Posts Tagged ‘film’

Necessary Images, Part 1

By Scott TeemsJuly 17, 2017

This post appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. not beautiful photography, not beautiful images, but necessary images… —Robert Bresson For years I’ve wrestled with this seemingly straightforward declaration from the notebook of revered French film director Robert Bresson (a small book, but a…

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A Conversation with Van Gessel

By Mary Kenagy MitchellMay 25, 2017

Van Gessel has been Shūsaku Endō’s primary English translator since the 1970s. He has translated eight of his novels and worked as a consultant on Martin Scorsese’s adaptation of Silence. I asked him about the previously untranslated Endō story in Image issue 92, and about what Endō’s work has to say to the West. Image:…

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The Sound of Scorsese’s Silence

By Nick OlsonMay 17, 2017

It’s been nearly a month since I finally saw Scorsese’s Silence, and what I remember most is the cry of cicadas and how crucial sound is to the film’s translation of Shūsaku Endō’s novel. The cicadas’ song is loud, and in Silence, they sound a sorrowful note. We hear the cicadas and the crickets before…

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Anne Fontaine’s The Innocents

By A.G. HarmonFebruary 15, 2017

After World War II devastated eastern Europe, the Red Army pushed into the countries allotted to them as spoils, such as Poland. There, they continued the destructive work that the Nazis had begun. Among those hardest hit were the women religious of Warsaw. French Red Cross physician Madeleine Pauliac, sent to find and repatriate the…

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To Run and Not Grow Weary, Part 2

By Jeffrey OverstreetJanuary 26, 2017

Maybe it was instinct that sent me back to relive the 1924 Olympic Games. Yesterday you found me despairing, feeling a sudden collapse of my lifelong will to write. Slumped on the couch, I was watching, of all things, Chariots of Fire. As a child, I loved this movie. But it wasn’t until college that…

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Kenneth Lonergan’s Manchester by the Sea

By A.G. HarmonJanuary 24, 2017

It’s impossible to speak of Kenneth Lonergan’s film Manchester by the Sea without alluding to its major premise: Some events in life simply can’t be overcome. However, stating that conclusion does not betray the work’s plot, because from the outset the story depicts a man upon whom a terrible blow has been dealt. There is…

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Making Contact: A Christian-Atheist Friendship, Part 2

By Tania RunyanJanuary 12, 2017

An introduction: Decades ago, in the faraway land of Orange County, California, two young women made contact. Jen and I shared a number of classes but traveled in different social circles. I was scary nerdy awkward—E.T. and Laura Ingalls’ lovechild, and she was scary sexy cool—black eyeliner, skateboards, and bands I couldn’t pronounce. Only in…

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Making Contact: A Christian-Atheist Friendship, Part 1

By Jennifer HawkJanuary 11, 2017

An introduction from Tania Runyan: Decades ago, in the faraway land of Orange County, California, two young women made contact. Jen and I shared a number of classes but traveled in different social circles. I was scary nerdy awkward—E.T. and Laura Ingalls’ lovechild, and she was scary sexy cool—black eyeliner, skateboards, and bands I couldn’t…

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Listening to Silence

By Gregory WolfeJanuary 6, 2017

I arrived at the advanced screening for Martin Scorsese’s new film, Silence, in the worst possible frame of mind. For one thing, I was running late after seeing to some errands. Also, I was starving. My only option for getting some food in time was a fancy burger joint near the entrance to the multiplex.…

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A Conversation with Scott Derrickson, Part 2

By Nick OlsonDecember 15, 2016

Continued from yesterday. Scott Derrickson is the director of several films, including The Exorcism of Emily Rose, Sinister, and Deliver Us From Evil. His most recent film, Marvel’s Doctor Strange, is in theaters now. I had the chance to chat with Scott for Christianity Today in the summer of 2014, when news had just broke that…

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