Posts Tagged ‘film’
Necessary Images, Part 1
July 17, 2017
This post appears as the Editorial Statement in Image issue #93 on the art of film guest edited by Gareth Higgins and Scott Teems. not beautiful photography, not beautiful images, but necessary images… —Robert Bresson For years I’ve wrestled with this seemingly straightforward declaration from the notebook of revered French film director Robert Bresson (a small book, but a…
Read MoreA Conversation with Van Gessel
May 25, 2017
Van Gessel has been Shūsaku Endō’s primary English translator since the 1970s. He has translated eight of his novels and worked as a consultant on Martin Scorsese’s adaptation of Silence. I asked him about the previously untranslated Endō story in Image issue 92, and about what Endō’s work has to say to the West. Image:…
Read MoreThe Sound of Scorsese’s Silence
May 17, 2017
It’s been nearly a month since I finally saw Scorsese’s Silence, and what I remember most is the cry of cicadas and how crucial sound is to the film’s translation of Shūsaku Endō’s novel. The cicadas’ song is loud, and in Silence, they sound a sorrowful note. We hear the cicadas and the crickets before…
Read MoreAnne Fontaine’s The Innocents
February 15, 2017
After World War II devastated eastern Europe, the Red Army pushed into the countries allotted to them as spoils, such as Poland. There, they continued the destructive work that the Nazis had begun. Among those hardest hit were the women religious of Warsaw. French Red Cross physician Madeleine Pauliac, sent to find and repatriate the…
Read MoreTo Run and Not Grow Weary, Part 2
January 26, 2017
Maybe it was instinct that sent me back to relive the 1924 Olympic Games. Yesterday you found me despairing, feeling a sudden collapse of my lifelong will to write. Slumped on the couch, I was watching, of all things, Chariots of Fire. As a child, I loved this movie. But it wasn’t until college that…
Read MoreKenneth Lonergan’s Manchester by the Sea
January 24, 2017
It’s impossible to speak of Kenneth Lonergan’s film Manchester by the Sea without alluding to its major premise: Some events in life simply can’t be overcome. However, stating that conclusion does not betray the work’s plot, because from the outset the story depicts a man upon whom a terrible blow has been dealt. There is…
Read MoreMaking Contact: A Christian-Atheist Friendship, Part 2
January 12, 2017
An introduction: Decades ago, in the faraway land of Orange County, California, two young women made contact. Jen and I shared a number of classes but traveled in different social circles. I was scary nerdy awkward—E.T. and Laura Ingalls’ lovechild, and she was scary sexy cool—black eyeliner, skateboards, and bands I couldn’t pronounce. Only in…
Read MoreMaking Contact: A Christian-Atheist Friendship, Part 1
January 11, 2017
An introduction from Tania Runyan: Decades ago, in the faraway land of Orange County, California, two young women made contact. Jen and I shared a number of classes but traveled in different social circles. I was scary nerdy awkward—E.T. and Laura Ingalls’ lovechild, and she was scary sexy cool—black eyeliner, skateboards, and bands I couldn’t…
Read MoreListening to Silence
January 6, 2017
I arrived at the advanced screening for Martin Scorsese’s new film, Silence, in the worst possible frame of mind. For one thing, I was running late after seeing to some errands. Also, I was starving. My only option for getting some food in time was a fancy burger joint near the entrance to the multiplex.…
Read MoreA Conversation with Scott Derrickson, Part 2
December 15, 2016
Continued from yesterday. Scott Derrickson is the director of several films, including The Exorcism of Emily Rose, Sinister, and Deliver Us From Evil. His most recent film, Marvel’s Doctor Strange, is in theaters now. I had the chance to chat with Scott for Christianity Today in the summer of 2014, when news had just broke that…
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