Issue 90
$0.00
Visual art: Sedrick Huckaby’s monumental portraits and provocative, confessional installations by Tracey Emin. What Christians can learn from atheists: Ta-Nehisi Coates, Maggie Nelson, and Christina Crosby in review. Jonathan McGregor on the internet and Kierkegaard. Martha Park considers electrocution and the pursuit of holiness in Tennessee. Interview with Rudy Wiebe.
Out of stock
Description
Editorial Statement
Gregory Wolfe, The Patron Saint of Losers
Fiction
Hamid Ismailov, The Dervish and the Mermaid
Valerie Sayers, Tidal Wave
Samuel Thomas Martin, Fighting Fish
Poetry
Jerzy Ficowski, [Honey lives only]
Prayer to the Holy Louse
The Assumption of Miriam from a Winter Street, 1942
Richard Jones, Pont des Arts
Prodigal
Richard Chess, are you my god
After Hearing That a Friend Visiting Israel…
Benjamin Myers, Field
Hailey Leithauser, Some Small Bone
Glowworm
U.Z. Greenberg, Every One Such as I
At Heaven’s Rim
John Terpstra, Imagineer of Variety
Richard Pierce, Go Gentle
Salt of Sodom
Father Rodney
Gemma Gorga, [Do you remember the seraphim]
[You bind my hands with saliva]
[A soft, slow smell rises up]
John Poch, The Death of Barabbas
Susan L. Miller, The Wolf of Gubbio
Manual for the Would-Be Saint
Visual Arts
Joe Milazzo, Ecstatic Dislocation: The Art of Sedrick Huckaby
Morgan Meis, The Empty Bed: Tracey Emin and the Persistent Self
Interview
Hugh Cook, A Conversation with Rudy Wiebe
Essay
Jonathan McGregor, The Thorn and the Heart: Anxiety, Irony, and Faith
Martha Park, The Charged World
Confessions
Traci Brimhall, Roman Charity
Book Review
Camellia Freeman, Atheist Bodies:
Ta-Nehisi Coates’s Between the World and Me
Maggie Nelson’s The Argonauts
Christina Crosby’s A Body, Undone: Living on after Great Pain
Additional information
Weight | .75 lbs |
---|---|
Dimensions | 10 × 7 × .5 in |